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1. Sea and Spar Between

   Sea and Spar Between is a poetry generator which defines a space of language populated by a number of stanzas comparable to the number of fish in the sea, around 225 trillion. Each stanza is indicated by two coordinates, as with latitude and longitude. The words in Sea and Spar Between come from Emily Dickinson’s poems and Herman Melville’s Moby Dick. Certain compound words (kennings) are assembled from words used frequently by one or both. Sea and Spar Between was composed using the basic digital technique of counting, which allows for the quantitative analysis of literary texts.

   (Source: Authors' abstract at Dear Navigator)

   Scott Rettberg - 16.03.2011 - 17:05

2. Enter:in' Wodies

   Enter:in' Wodies is the intermedial installation, where the person interacts with the work via motion sensing input device Kinect. The main idea is to imagine the person, whose interiour you would desire to read. You can choose from two models – man or woman. After the first text that explains the initiation to enter other person, you interact with the work by choosing the body parts by touching with your hands the imaginary being. The body parts refer to seven organ systems. To reveal the poems connected with the particular human biological systems, you have to make movements with your hands to uncover the words (interaction area is defined by your physical distance of hand from the sensor). The revelation of each part brings about the biological image of its cell textures, of the music (which has its unique corresponding sound that goes with the main melody) and of the poetic text about the system's exceptionality. After having read all the pieces, the final text appears that informs about your leaving the other person's body.

   Zuzana Husarova - 30.09.2011 - 17:04

3. Queerskins

   Partly based on Szilak's experiences as an HIV physician, Queerskins tells the story of Sebastian, a young gay physician from a rural Missouri Catholic family who dies at the beginning of the epidemic. Queerskins harnesses the odd intimacies afforded by the Internet (collaborations formed via Craig's List and access to strangers' personal images and videos from the Creative Commons) to explore the human urge for transcendence via love, religious faith, sexual ecstasy, storytelling, and technology itself. The interface consists of layers of sound (two hours of audio monologues from five characters), diaristic text (40,000 words), and more than a hundred banal, quotidian photos curated from Flickr Creative Commons and videos (downloaded from YouTube and the Internet Archive) as well as ephemeral Flip videos of life in L.A. (commissioned from Iris Prize nominated filmmaker Jarrah Gurrie) that users can navigate at random or experience as a series of multimedia collages.

   Scott Rettberg - 12.06.2012 - 10:09