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Fall 2021 Editors' Note
Upon opening the Fall 21 issue, you might be surprised to discover its breadth. Although The New River’s issue contents have historically been in the single digits, this season’s comprises 14 individual pieces, including an interview feature with writer and artist Lillian-Yvonne Bertram. Each work is strikingly different from the next, as the genres range from speculative interactive fiction to online sound installations to generative cruft.
Amanda Hodes - 08.06.2022 - 16:33
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All of the spaces collapsing: an interview with xtine burrough
All of the spaces collapsing: an interview with xtine burrough
Shanmuga Priya - 11.06.2022 - 18:10
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Third Generation Electronic Literature and Artisanal Interfaces: Resistance in the Materials
Third Generation Electronic Literature and Artisanal Interfaces: Resistance in the Materials
Shanmuga Priya - 11.06.2022 - 18:43
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Electronic Literature Collection, Volume Four
The fourth volume of the Electronic Literature Collection (ELC) was published on June 1, 2022 towards the end of the ELO’s annual conference at Como, Italy. ELC4 was edited by Kathi Inman Berens, John Thomas Murray, Lyle Skains, Rui Torres and Mia Zamora. The collection represents a wide variety of works from 42 countries. The enhanced participation in the ELC4 compared to its previous collections shows the global recognition of e-lit (see ABOUT ELC3 and ABOUT ELC4). The 132 electronic literary works are produced in 31 languages, namely: Afrikaans, Ancient Chinese, Arabic, Catalan, Chinese, Danish, Dutch, English, French, German, Greek, Hungarian, Indonesian, isiXhosa, Italian, Japanese, Korean, Norwegian, Polish, Portuguese, Romanian, Russian, Setswana, Simplified Chinese, Slovak, South African Sign Language, Spanish, Swedish, Turkish, Yoruba.
Shanmuga Priya - 11.06.2022 - 20:37
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First and Second Waves of Indian Electronic Literature
In her seminal book Electronic Literature: New Horizons for the Literary (2008), Katherine Hayles historicizes electronic literary works as first generation and second generation published before and after the advent of Web respectively. In addition to this, Leonardo Flores, in his essay “Third Generation Electronic Literature” (2019), defines three waves of electronic literature. He discusses the electronic literary works, which are mostly hypertext, kinetic and text-based, published between 1952 and 1995 as first generation, the multifaceted features of second generation works started after the rise of Web in 1995 and continues to the present. Third generation works encompass of social media networks, apps, mobile and Web API services began around 2005. These works have made important contributions to understanding the field of Western electronic literature. On the other hand, scholars have discoursed about the non-western electronic literary works and emphasised about their generations.
Shanmuga Priya - 11.06.2022 - 21:46
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Thirteen Ways of Looking at Electronic Literature, or, A Print Essai on Tone in Electronic Literature, 1.0
This experimental essai is written in performative awareness of the challenges of tone in electronic literature. It is a developing piece and will appear in writethroughs, readthroughs, playthroughs (the sous rature mark seems appropriate) elsewhere.2
Shanmuga Priya - 28.06.2022 - 00:18
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The Origins Of Electronic Literature As Net/Web Art
The Origins Of Electronic Literature As Net/Web Art
Shanmuga Priya - 29.06.2022 - 00:41
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Cyberpunk Culture
Cyberpunk Culture
Maya Zalbidea - 04.07.2022 - 11:29
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Ciberfeminismo : de VNS Matrix a Laboria Cuboniks
Ciberfeminismo : de VNS Matrix a Laboria Cuboniks
Maya Zalbidea - 04.07.2022 - 11:47
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Special Issue on Electronic Literature
Special Issue on Electronic Literature
Maya Zalbidea - 04.07.2022 - 11:53