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1. e-cris

   e-cris est un dispositif textuel et graphique de lecture-écriture "dans le même mouvement". Le principe du lien hypertextuel est ici détourné de ses fonctions habituelles de navigation au profit d'une activité d'écriture à partir de vingt et un textes personnels qui disent - un peu - de l'activité d'écrire. e-cris devait à l'origine s'hybrider avec le dispositif de saturation graphique saturactions selon certaines règles de conditions. On peut voir ce système embryonnaire dans la version 1.7 de e-cris, mais je ne l'ai pas poussé plus loin, préférant conduire les deux essais séparément. Cliquer sur un mot revient à l'écrire dans un autre texte - le texte-à-écrire - placé sous le texte-à-lire. Le texte écrit l'est donc seulement à partir d'un autre et selon le procédé littéraire du centon (ici à l'échelle du mot et non de la phrase). Que pourrez-vous écrire de personnel avec mes mots ? Luc Dall'Armellina - 2001

   Eric Dean Rasmussen - 09.02.2011 - 12:22

2. Incident of the Last Century 1999, Sampling Sarajevo

   Incident of the Last Century 1999, Sampling Sarajevo

   Eric Dean Rasmussen - 09.02.2011 - 14:20

3. Détournement / Diversion

   Détournement / Diversion

   Eric Dean Rasmussen - 09.02.2011 - 15:53

4. Faith

   Faith is a kinetic poem that reveals itself in five successive states. Each new state is overlaid onto the previous one, incorporating the old text into the new. Each new state absorbs the previous one while at the same time engaging in an argument with it. The gradual textual unfolding is choreographed to music.

   (Source: Author description.)

   Eric Dean Rasmussen - 10.02.2011 - 14:29

5. Candles for a Street Corner

   Candles for a Street Corner

   Eric Dean Rasmussen - 10.02.2011 - 16:03

6. overboard

   John Cayley, with Giles Perring and Douglas Cape.

   overboard is an example of literal art in digital media that demonstrates an 'ambient' time-based poetics. There is a stable text underlying its continuously changing display and this text may occasionally rise to the surface of normal legibility in its entirety. However, overboard is installed as a dynamic linguistic 'wall-hanging,' an ever-moving 'language painting.' As time passes, the text drifts continually in and out of familiar legibility - sinking, rising, and sometimes in part, 'going under' or drowning, then rising to the surface once again. It does this by running a program of simple but carefully designed algorithms which allow letters to be replaced by other letters that are in some way similar to the those of the original text. Word shapes, for example, are largely preserved. In fact, except when 'drowning,' the text is always legible to a reader who is prepared to take time and recover its principles. A willing reader is able to preserve or 'save' the text's legibility.

   Eric Dean Rasmussen - 11.02.2011 - 09:45

7. forking paths

   This work was an early experiment with literary hypertext that has been discussed or mentioned in several early theoretical texts, but that has never been published in full because it mostly consists of text from Borges' short story "The Garden of Forking Paths". Moulthrop describes it as "a sort of low-grade literary pastiche concocted as a laboratory demonstration--or parlor game--for an undergraduate writing class in 1987." Documentation of the work, with most of the text from Borges' short story removed, is published on the CD that accompanies Montfort and Wardrip-Fruin's New Media Reader.

   Eric Dean Rasmussen - 11.02.2011 - 10:35

8. Spawn

   Spawn is a mouse-responsive liquid poem that reduces its own language and content into chaos and symbols.

   Eric Dean Rasmussen - 11.02.2011 - 16:45

9. Leaved Life

   Leaved Life

   Eric Dean Rasmussen - 11.02.2011 - 16:48

10. Nippon

    The work was published on Young-Hae Chang Heavy Industries' webpage in 2003 according to the Internet Archive's Wayback Machine.

    Eric Dean Rasmussen - 12.02.2011 - 18:35

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