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Computing Language and Poetry
[Insert author's abstract here.]
Montfort introduced a new critical term, stanzory, which refers to "a unit of lines in a poem that is also a narrative with some sort of point."
Presented at the 2012 MLA Convention as part of the "730. New Media Narratives and Old Prose Fiction" panel, arranged by the Division on Prose Fiction. Other panelists included Dene Grigar and Joseph Tabbi. The moderator, filling in for Amy Elias, was Heather M. Houser.
Eric Dean Rasmussen - 17.01.2012 - 15:45
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Introduction [to New Narratives: Stories and Storytelling in the Digital Age]
Editors' introduction to a collection of essays on digital narratology.
Eric Dean Rasmussen - 10.05.2012 - 13:26
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Focalization and Digital Fiction
Focalization and Digital Fiction
Eric Dean Rasmussen - 24.09.2012 - 07:23
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The Literariness of New Media Art - A Case for Expanding the Domain of Literary Studies
This article explores media-related aspects of literariness and examines them on the basis of spoken and written language in new media art, in order to rethink the role of philology. The working hypothesis is that new media art does, in fact, possess the potential for literary analysis; the article is therefore intended as a case for the expansion of literary studies, its paradigms and methodologies. Literature, poetic structures and elements play a significant role in many new media artworks – a fact that has been overlooked so far by both media studies and literary scholarship. The article investigates this new, complex interdisciplinary field in an exemplary analysis. To expand the application of literary studies to new developments in the arts, including new media art working with language, one has to acknowledge that orally performed texts are as complex in their aesthetic presentation and poetic signification as written and printed literary works, and are therefore to be viewed as just as relevant subjects of research.
Jörgen Schäfer - 07.12.2012 - 15:58
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Theorizing Digital Narrative: Beginnings, Endings, and Authorship
[Published under author's previous name, Jennifer Smith] Since its development, critics of electronic literature have touted all that is "new" about the field, commenting on how these works make revolutionary use of non-linear structure, hyperlinks, and user interaction. Scholars of digital narrative have most often focused their critiques within the paradigms of either the text-centric structuralist model of narrativity or post-structuralist models that implicate the text as fundamentally fluid and dependent upon its reader for meaning. But neither of these approaches can account completely for the unique modes in which digital narratives prompt readerly progression, yet still exist as independent creative artifacts marked by purposive design. I argue that, in both practice and theory, we must approach digital-born narratives as belonging to a third, hybrid paradigm. In contrast to standard critical approaches, I interrogate the presumed "newness" of digital narratives to reveal many aspects of these works that hearken to print predecessors and thus confirm classical narratological theories of structure and authorship.
Jennifer Roudabush - 13.01.2013 - 23:40
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'Click = Kill'. Textual You in Ludic Digital Fiction'
This article offers a close-reading of geniwate's and Deena Larsen’s satirical, ludic Flash fiction The Princess Murderer (2003), with a specific focus on how the text implements second person narration and other forms of the textual you (Herman 1994, 2002) in juxtaposition with other narrational stances.
Alice Bell - 29.01.2013 - 16:06
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The Narratological Affordances and Constraints of Mobile Locative Media
The Narratological Affordances and Constraints of Mobile Locative Media was a presentation held by Jeff Ritchie at the ELO 2012 conference under the category: Storytelling With Mobile Media: Locative Tehcnologies and Narrative Practices.
Ole Samdal - 24.11.2019 - 18:45
