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1. Intervista con Fabrizio Venerandi

   Fabrizio Venerandi is author of two novels published in form of hypertextual ebooks and also co-founder of the publishing house Quintadicopertina. In this interview he talks about the book series Polistorie (Polystories) and about the basic ideas that inspired this project. Recalling the experience he made with the groundbreaking work on the first MUD in Italy in 1990, Venerandi describes the relations between literature and video games. Starting from a comparison between print literature tradition and new media, at last, he faces the problems of creation and preservation of digital works.

   Daniele Giampà - 12.11.2014 - 19:50

2. Entrevista con Domenico Chiappe

   In this interview Domenico Chiappe describes his works of both electronic literature and print literature published between the years 2000-2012. He gives insight into the interesting collaborative work for the work of electronic literature and ponders about the difference of the two forms of expressions: the printed book and new media. His then articulates discourse about the language of new media taking in account the SMS Literature and his concept of hiperphonia. On regard of the new possibilities provided by new media technology, he maintains that there should be a certain balance and harmony of the audio-visual effects and the written texts.

   Daniele Giampà - 12.11.2014 - 20:01

3. Intervista con Riccardo Giovanni Milanesi

   Riccardo Giovanni Milanesi is creator and author of the two Web Series L’Altra (The Other Girl, 2011) and FableGirls (2012). In thi interview he explains how the work for the realization of L’Altra were carried out, an online project which was co-created with users/readers on FaceBook e published in real time. Moreover he announces the new Web Serie Vera Bes (2013).

   Daniele Giampà - 12.11.2014 - 20:28

4. Interview with Michael J. Maguire

   In this interview Michael J. Maguire also known as clevercelt writes about his development in the field of electronic literature both as creative writer and academic scholar. He gives some insights into the work of programming, his interest for computer games and the Phd thesis. The interview stands out for the many references to other authors.

   Daniele Giampà - 12.11.2014 - 20:31

5. Time and Temporality in Digital Fictions

   The exceptional quality of digital fictions lies in their inherently dynamic nature, how they may be flexibly programmed to generate new content and alter the already existing contents. This adds a new temporal level, compared to traditional fictions. Already the history of digital fictions (both digital literature and games) presents us with a variety of temporal practices which challenge the conventional ways of understanding fictional time.
   We have at least the following four temporal levels for digital fictions with narrative content:

   1. user time (the time the user spends using the work)
   2. discourse time (the time of the narrative discourse)
   -pseudo time
   -true time
   3. story time (the time of the fictional events)
   4. system time (the time of the digital system states)

   Alvaro Seica - 13.11.2014 - 13:33

6. Automated Diaries and Quantified Selves

   Automated Diaries and Quantified Selves

   Alvaro Seica - 13.11.2014 - 23:17

7. Complications of Narrative Time in Electronic Literature

   Complications of Narrative Time in Electronic Literature

   Alvaro Seica - 13.11.2014 - 23:19

8. Roundtable: Chercheur et artiste / artiste et chercheur, de l’art de jongler avec les casquettes

   A roundtable organized by Lucile Haute at the Galerie Rhinocéros et Cie in Paris on November 13, 2014, posing three questions to each author.

   Alvaro Seica - 14.11.2014 - 17:18

9. A Topographical Approach to Re-Reading Print Books About Islands in Digital Literary Spaces

   This paper interrogates the ‘topic’ of islands displaced from print books into digital literary spaces through a discussion of a web-based work of digital literature ...and by islands I mean paragraphs (Carpenter 2013) http://luckysoap.com/andbyislands/ In this work a reader is cast adrift in a sea of white space veined blue by a background image of graph paper. Whereas horizontally lined loose leaf or foolscap offers a guide for linear hand writing, horizontally and vertically lined graph paper offers a guide for locating positions, or intersections, along orthogonal axes such as latitude and longitude, and time and distance. In this graphic space the horizon extends far beyond the bounds of the browser window, to the north, south, east and west. Navigating this space (with track pad, touch screen, mouse, or arrow keys) reveals that this sea is dotted with islands… and by islands I mean computer-generated paragraphs.

   J. R. Carpenter - 22.11.2014 - 10:54

10. Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics in Code

    Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics in Code

    Jill Walker Rettberg - 29.12.2014 - 17:56

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