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1. A Survey of Electronic Literature Collections

   In their article "A Survey of Electronic Literature Collections" Luis Pablo and Maria Goicoechea describe characteristics and functions of collections of electronic literature and analyze descriptors used and the way information can be accessed. Based on their observations, Pablo and Goicoechea advocate a database structure which is flexible and can produce a dynamic archiving model as texts are registered and collected so that tags form a close set for the texts in the collection and this set can expand as new texts make new tags necessary. Further, the organization of tags into ever more complex taxonomies seems inevitable, since this provides an accurate description of knowledge accumulation with respect to the field's richness. They postulate that the study of tagging practices applied to digital works provides us with guidelines not only to describe texts of electronic literature, but also to demonstrate the wide variety of forms which a literary text can embody.

   (Abstract article)

   Hannah Ackermans - 19.11.2018 - 09:53

2. Poesia Experimental Portuguesa: Contextos, Ensaios, Entrevistas, Metodologias

   Livro com alguns dos resultados do projecto «PO.EX’70-80 – Arquivo Digital da Literatura Experimental Portuguesa», financiado pela Fundação para a Ciência e a Tecnologia com fundos da União Europeia. Edição de Rui Torres, com textos sobre a maioria dos autores representados neste arquivo digital.

    

   Hannah Ackermans - 27.11.2018 - 11:24

3. Multimodal Editing and Archival Performance: A Diagrammatic Essay on Transcoding Experimental Literature

   The aim of PO.EX: A Digital Archive of Portuguese Experimental Literature (http://po-ex.net/) is to represent the intermedia and performative textuality of a large corpus of experimental works and practices in an electronic database, including some early instances of digital literature. This article describes the multimodal editing of experimental works in terms of a hypertext rationale, and then demonstrates the performative nature of the remediation, emulation, and recreation involved in digital transcoding and archiving. Preservation, classification, and networked distribution of artifacts are discussed as representational problems within the current algorithmic and database aesthetics in knowledge production.

   (source: abstract DHQ)

   Hannah Ackermans - 07.12.2018 - 10:51

4. Visualising Networks of Electronic Literature: Dissertations and the Creative Works They Cite

   Jill Walker Rettberg’s Visualizing Networks of Electronic Literature maps the fragmentary and dynamic field of electronic literature by analyzing citations in 44 doctoral dissertations published between 2002 and 2013. Applying “distant reading” strategies to the ELMCIP Knowledge Base, Rettberg identifies key works in the field, shifting genres, and changing approaches to scholarship.

   (Source: abstract article)

   Hannah Ackermans - 07.08.2019 - 10:56

5. On Reusability and Electronic Literature

   On Reusability and Electronic Literature

   Gesa Blume - 27.08.2019 - 00:52

6. Futures of Electronic Literature

   E-lit authors Stephanie Strickland and Marjorie Luesebrink organized a panel on the "Future of E--Lit" at the ELO 2012 conference, allowing emerging and early career authors to articulate institutional and economic, as well more familiar technological, developments that constrain and facilitate current practice. The panel papers were released in ebr in March 2014. Luesebrink and Strickland followed up with comments on the papers, offering a "progress report" on the future of the field. The individual responses are available as glosses on the essays and in full here.

   (Source: Electronic Book Review)

   Daniel Venge Bagge - 20.09.2019 - 19:45

7. Field Notes from the Future of Publishing

   At the Frankfurt Book Fair, Ed Finn and his team attempted to "write, edit, and publish a book in three days." In this essay, Finn explains the process, outcomes, and future considerations of that collaborative experiment in writing, reading, and publishing in parallel and as performance, in the same room at the same time, as he attempts to answer the question, "What is the future of publishing?"

   (Source: Electronic Book Review)

   Daniel Venge Bagge - 20.09.2019 - 19:54

8. Rewiring the Real: In Conversation with William Gaddis, Richard Powers, Mark Danielewski, and Don DeLillo

   Rewiring the Real: In Conversation with William Gaddis, Richard Powers, Mark Danielewski, and Don DeLillo

   Yvanne Michéle Louise Kerignard - 23.09.2019 - 22:25

9. Digital Literary Arts - Scandinavian E-Texts: Criticism, Theory, and Practice

   Electronic literature (e-lit) constitutes one of the most innovative and exciting literary forms occurring today; it is the unique child of this new technological age. Scandinavian e-lit is no exception, yet it has frequently been overlooked by literary academics in both the United States and Scandinavia. This dissertation investigates how Scandinavian e-lit engages with printed Scandinavian literature, and how critical analysis of Scandinavian literature can benefit from an understanding of e-lit. In this dissertation I argue that, far from relegation to the outer margins of Scandinavian literary research and studies, Scandinavian e-lit, and scholarship on such works, ought to occupy a central position in the field, alongside print-based counterparts. Such a shift in focus would create a new vantage point from which Scandinavianists could analyze canonical and contemporary works of print-based Scandinavian literature.

   Anika Carlotta Stoll - 16.09.2020 - 10:50

10. Electronic Literature and the Effects of Cyberspace on the Body

    In their article "Electronic Literature and the Effects of Cyberspace on the Body" Maya Zalbidea and Xiana Sotelo discuss how new technologies are facilitating the emancipation of subjugat- ed subjects aimed at transforming unequal social relations through an intersectional and performative approach. This perspective is discussed through the exploration of the so-called intersectional ap- proach described by Berger and Guidroz, Haraway's situated knowledges, and Butler's performative agency based on transgressions. Framed within the posthuman, post-biological deconstruction of so- cial and cultural hierarchies, Zalbidea and Sotelo argue for the value of a conjuncture between post- colonial post-modern/post-structuralist literature and the field of feminist cultural studies. Based on previous theories of gender and bodies in cyberspace, Zalbidea and Sotelo develop ideas about bodies, gender, and anxieties, and how these theories may be illustrated metaphorically in electronic literature and new media art works.

    Torkjell Fosse - 17.09.2020 - 15:07

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