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1. Ass. Culturale Il Foglio

   Ass. Culturale Il Foglio

   Daniele Giampà - 19.04.2015 - 12:56

2. Publicações Europa-América

   Publicações Europa-América

   Alvaro Seica - 22.04.2015 - 12:23

3. Eugen Gomringer Press

   Eugen Gomringer Press

   Alvaro Seica - 22.04.2015 - 14:45

4. Viking

   Viking is a legendary imprint with a distinguished list of extraordinary writers in both fiction and nonfiction. The Viking Press was founded in New York City on March 1, 1925, by Harold K. Guinzburg and George S. Oppenheimer. When the Viking logo, a ship drawn by Rockwell Kent, was chosen as a symbol of enterprise, adventure, and exploration in publishing, the popular authors included Sherwood Anderson, James Joyce, and D.H. Lawrence. Today, Viking boasts bestselling fiction authors like Pulitzer Prize winner Geraldine Brooks, Tana French, Elizabeth George, Sue Monk Kidd, Jojo Moyes, National Book Award Winner William Vollman, and Nobel Prize winner J.M. Coetzee. In 1925, the Viking nonfiction writers included James Weldon Johnson and August Strindberg. Today, Viking’s critically and commercially successful nonfiction authors, include Nathaniel Philbrick, Daniel James Brown, Steven Pinke, Antony Beevor, and Timothy Keller.

   (Source: http://www.penguin.com/meet/publishers/vikingbooks/)

   Alvaro Seica - 28.04.2015 - 20:55

5. Interface Publications

   Interface Publications

   Alvaro Seica - 30.04.2015 - 18:21

6. Coach House Books

   In 1965, a young typesetter named Stan Bevington, newly transplanted to Toronto from Edmonton, began printing versions of the new Canadian maple-leaf flag. With the money he made hawking these flags in hippie Yorkville, he rented an old coach house and bought a Challenge Gordon platen press. With a newfound colleague, Dennis Reid (now a curator of the Art Gallery of Ontario), he printed a book of poetry by Wayne Clifford. Writers and artists soon flocked to the little coach house with their projects, bpNichol’s Journeying and The Returns and Michael Ondaatje’s The Dainty Monsters among them. Coach House has always maintained a dual role in Canadian letters by both publishing and printing books.

   (Source: http://chbooks.com/about_us)

   Alvaro Seica - 09.05.2015 - 17:16

7. The Writing Platform

   The Writing Platform is a website and programme of live events dedicated to arming writers with digital knowledge.

   The website is a free online resource for writers and poets­ – whether they are emerging or established, traditionally published, self-published ­or not yet published – who are looking for neutral and best practice information about writing in a digital age in order to inform their practice and career choices. The Writing Platform also runs an annual fair and conference for writers.

   The Writing Platform launched in spring 2013. It is run by The Literary Platform and Kate Pullinger in association with Queensland University of Technology and Bath Spa University. It is funded by the National Lottery, and supported by Arts Council England (Grants for the Arts).

   J. R. Carpenter - 18.05.2015 - 13:10

8. The Junket

   In a letter to Leigh Hunt in May 1817, John Keats wrote that composing Endymion felt like ‘a continual uphill Journeying’. ‘John Keats alias Junkets’, he signed off, as if to remind us that, however tortuous it may be to find oneself writing, writing itself has that rich and strange ability to disguise the graft of its making behind the impish mischief it continues to make. Just so, the idea of a junket, of an unabashed bean-feast carried off on somebody else’s time and money, craftily conceals its own more functional linguistic heritage. For, as the OED suggests, in spite of its ‘somewhat obscure history’, junket finds ways to reach back to the Pontine marshes south-east of Rome, to their fenland yield of juncus or rushes, to the medieval juncata, the rush-basket for catching and carrying fish, and to the creamy juncade or jonquette, the cheese named for the basket it was prepared in. If from there it becomes a sweetmeat or kickshaw, if it spreads to merrymaking and banqueting and more capricious jaunting, then it seems appropriate to let it represent what The Junket should aspire to: modest materials that are worked with care, before taking on an errant, boisterous life.

   J. R. Carpenter - 24.06.2015 - 11:20

9. Critique: Studies in Contemporary Fiction

   Critique: Studies in Contemporary Fiction

   Jill Walker Rettberg - 16.08.2015 - 10:35

10. the minnesota review

    the minnesota review

    Rita Raley - 18.08.2015 - 00:18

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