Search
The search found 23 results in 0.01 seconds.
Search results
-
Acoustic and Visual Imagination in Poetry from the Neo_Avantgarde to New Media Poetry in Yugoslav and Post-Yugoslav Poetry
At the beginning of my text I will consider contemporary interpretations of the visual and acoustic aspects of poetry. The main references will be texts written by American poets, performers, artists, theoreticinas such as Charles Bernstein, Michael Davidson, and Johanna Drucker. Shortly, I will point to the history of these phenomena in the West. Special attention will be given to the concepts of plurivocality and plurality of visual projections in different kinds of experimental poetry.
In applying these concepts in considering Yugoslav Avant-Gardists: Franci Zagoričnik and OHO group (Slovenia), Vlado Martek (Croatian) and Katalin Ladik and Awin authors (Serbia) I will first discuss the status of experimental poetry in so called small cultures. Then I will show the range of experimentation in the work of the poets I have mentioned, who worked within the Yugoslav socialism and post-Yougoslav postsocialism.
Eric Dean Rasmussen - 30.08.2011 - 11:25
-
New Media ArtPoetry: A Textu(r)al Surface
In the talk Mencía describes how her art practice moved from using electronic devices to create physical inscriptions, such as in the installation "I Love You" which was a sort of fax machine that made images in response to the interactor moving a toy car over a stone with the works "I Love You" engraved in it, and collaborative performance works based on collective activities and gestures, to a practice in digital media based on communication and miscommunication in human and computer language.
Eric Dean Rasmussen - 30.08.2011 - 11:35
-
The Four Corners of the E-lit world. Textual Instruments, Operational Logics, Wetware Studies and Cybertext Poetics
The Four Corners of the E-lit world. Textual Instruments, Operational Logics, Wetware Studies and Cybertext Poetics
Eric Dean Rasmussen - 30.08.2011 - 12:45
-
Poetry Confronting Digital Media
Poetry Confronting Digital Media
Eric Dean Rasmussen - 30.08.2011 - 12:52
-
New Media Poetry and Poetics
LEA leaps into yet another bold foray, this time revolving around the world of new media poetics. Bursting at the cyber-seams, a spiffy collection of essays by myriad authors await. The proud guest editor of this edition in Trace Peterson and she’s woven together a marvelous mix of nine essays, and curated an equally exciting gallery showcasing four illuminating artist works. (Source: LEA)
Eric Dean Rasmussen - 02.09.2011 - 10:30
-
Literal Art
John Cayley dadas up the digital, revealing similarities of type across two normally separate, unequal categories: image and text. "Neither lines nor pixels but letters," finally, unite.
(Source: ebr First Person thread page)
Eric Dean Rasmussen - 15.02.2012 - 13:15
-
Aleph Null as Tool, Thought Process, and Poetics
Aleph Null as Tool, Thought Process, and Poetics
Eric Dean Rasmussen - 30.05.2012 - 11:41
-
Writing with the Code - a Cybertextual Poetics
I propose a digital poetics, which focuses on the possible digital transformations of writing and reading with examples from current cybertextual literature. The paper discusses how programming structures (algorithms, cybernetics, object oriented programming, hypertext) can be interpreted as literary forms. The outcome is a literary way to read programming structures and a discussion of a digital literary poetics.
Jill Walker Rettberg - 09.10.2012 - 22:35
-
Communities/Commons: A Snap Line of Digital Practice
“Communities/Commons: A Snap Line of Digital Practice” presents a brief history of digital poetry, from the perspective of the Electronic Poetry Center (EPC), Buffalo, and the international E-Poetry Festivals of digital literature, art, and performance (E-Poetry). The paper engages the discipline from various perspectives, considering its relation to historic contextualizing movements and institutional mechanisms. Determining a renewed vision of E-Poetry community, it is argued, are its exuberant origins: (1) the U.S. small press movements of the later Twentieth century; (2) the activities and philosophies of the Electronic Poetry Center; (3) its self-definition as more broadly-conceived than that of any specific category of digital literature; (4) the pre-existing literary ground of Black Mountain, Language Poetry, and related practices; (5) the vibrancy of the as-then-constituted Poetics Program at Buffalo, and; (6) a “symposium of the whole”, the continued emerging importance of enthnopoetic localizations to an eventual realization of contemporary poetics. Finally, a call is made for the field being adaptable and more generous with its frames of reference.
Patricia Tomaszek - 29.04.2013 - 15:57
-
Code as Ritualized Poetry: The Tactics of the Transborder Immigrant Tool
The Transborder Immigrant Tool is a provocative mobile phone app by the Electronic Disturbance Theater (EDT) that provides sustenance to border crossers by leading them to water and guiding them with poetry. Although the tool can be applied to any border, the chief border it has been tied to and tested on is the US-Mexico border. The EDT present the project as an artistic disruption of the tired national political theater staged at that border. The piece refocuses attention on the basic human needs of those caught in the middle of the stale and stalemated divide. For the EDT, every part of the piece participates in this disruption not merely the finished app or the poetry but the code as well. In this paper, I ask, what would it mean for the code to poetic disruption? One set of poetry for the project created by Amy Sara Carroll offers instructions for desert survival. By presenting instructions as poems, she offers one entre into reading the source code of the app as poetry. Using the methods of Critical Code Studies, I read the code of TBT in light of and as part of the poetic intervention of this complex performance.
(Source: Author's abstract at DHQ)
Scott Rettberg - 03.07.2013 - 13:33
