Search

Search content of the knowledge base.

The search found 51 results in 0.013 seconds.

Search results

  1. Big Brother really is watching you: Literature in mobile dataspace

    The starting point for this essay is William Gibson's image of locative art in his latest two novels, Spook Country (2007) and Zero History (2010). In these books Gibson creates a very clear and comprehensive picture of the term 'locative art'. The essay compares this purely fictional image with the appearance of locative art and poetry in reality.

    Experiments with new technologies, such as mobile networks, Wifi and GPS for mobile and internet devices use and open urban data spaces for any digital application. It has become easy to trace users of these devices, and one is constantly tracked by GPS-satellites, surveillance cameras and other kind of signals and devices. Locative and adaptive poetry makes use of the interplay of urban space and transmitted data and renders it tangible for the player. Doing this makes the player aware of being under constant surveillance by "Big Brother" from outside and inside his gadget.

    Eric Dean Rasmussen - 30.08.2011 - 11:39

  2. Do the Domains of Literature and New Media Art Intersect? The Cases of Sonnetoid web projects by Vuk Ćosić and Teo Spiller

    Franco Moretti's notion of “distant reading” as a complementary concept to the “close reading”, which emerged alongside the computer based analysis and manipulation of texts, finds its mirror image in a sort of “distant” production of literary works – of a specific kind, of course. The paper considers the field, where literature and new media creativity intersect. Is there such a thing as literariness in “new media objects” (Manovich)? Next, by focusing on the three web sites that generate texts resembling and referring to sonnet form the paper asks the question about the new media sonnet and, a more general one, about the new media poetry. A mere negative answer to the two questions doesn't suffice, because it only postpones the unavoidable answer to the questions posed by existing new media artworks and other communication systems. Teo Spiller's Spam.sonnets can be viewed as an innovative solution to the question, how to find a viable balance between the author's control over the text and the text's openness to the reader-user's intervention.

    Eric Dean Rasmussen - 30.08.2011 - 11:59

  3. The Four Corners of the E-lit world. Textual Instruments, Operational Logics, Wetware Studies and Cybertext Poetics

    The Four Corners of the E-lit world. Textual Instruments, Operational Logics, Wetware Studies and Cybertext Poetics

    Eric Dean Rasmussen - 30.08.2011 - 12:45

  4. On Reading 300 Works of Electronic Literature: Preliminary Reflections

    Note: Tabbi's essay was posted on July 22, 2009, on the online forum On the Human, hosted by the National Humanities Center where it generated 35 additional posts. It was reprinted, along edited versions of these responses, in Beyond the Screen: Transformations of Literary Structures, Interfaces and Genres (Transcript, 2010). These responses are archived separtedly in the ELMCIP Knowledge Base As "Responses to 'On Reading 300 Works of Electronic Literature: Preliminary Reflections.'"

    Eric Dean Rasmussen - 31.08.2011 - 15:55

  5. Electronic Literature: What is it?

    Electronic Literature: What is it?

    Guro Ingebrigtsen - 08.09.2011 - 13:53

  6. Better Looking, Close Reading: How Online Fiction Builds Literary-Critical Skills

    [insert abstract here] On reading fiction as an ethical task...

    Presented on Saturday, 7 January at the 2012 MLA Convention, panel 442, "New Media, New Pedagogies," arragned by the Division of Prose Fiction. Other panelists included Heather Houser, Jay Clayton, and the moderator, Rebecca L. Walkowitz.

    Eric Dean Rasmussen - 07.01.2012 - 20:04

  7. New Media Writing Forum

    A UK-based bulletin board designed to serve as a "hub for digital writers to share ideas, resources, and discussion."

    Established by Dreaming Methods in association with Bournemouth University, the New Media Writing Prize and Crissxross (award-winning digital writer Christine Wilks), the forum encourages the sharing of ideas, techniques and resources as well as general networking and discussion.

    (Source: New Media Writing Forum)

    Eric Dean Rasmussen - 04.04.2012 - 10:25

  8. Documenting Electronic Literature and Digital Art in an Open-Access Online Database

    Documenting Electronic Literature and Digital Art in an Open-Access Online Database

    Eric Dean Rasmussen - 18.04.2012 - 14:35

  9. Frontiers of Electronic Literature

    Mainstream and avant-garde poets and fiction writers have been exploring the literary potential of the computer for decades, creating work that goes far beyond today's e-books. The creators of electronic literature have developed new interface methods, new techniques for collaboration, and new ways of linking language, computing, and other media elements. How has electronic literature influenced other media, including the Web and the book? What are the implications of having literary projects in the digital sphere alongside other forms of communication and art?

    (Event abstract)

    Eric Dean Rasmussen - 01.05.2012 - 08:57

  10. ELMCIP Anthology of European Electronic Literature

    The ELMCIP Anthology of European Electronic Literature is an output from the ELMCIP researchers based at Blekinge Tekniska Högskola (Blekinge Institute of Technology) in Sweden. The anthology is intended to provide educators, students and the general public with a free curricular resource of electronic literary works produced in Europe. The works were selected, after an open call, based on four main criteria:

    Eric Dean Rasmussen - 16.05.2012 - 11:06

Pages