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1. Writing on Complex Surfaces

   Writing in programmable media is theorized in relation to the surface of writing.[1] Within the framework of currently dominant cultural and technological formations, the surface of writing is conceptually simple, and this overdetermines practices of writing. As it is typically conceived, the surface of writing is a flatland plane, a 3rd-dimensionless scroll (however segmented or, indeed, fragmented) on which linguistic symbols, similarly dimensionless, are arrayed. Once language has come to rest on this simple surface, any qualities it may possess of temporality or material depth are bracketed. Programmable media problematize this dominant but simple model, and yet, arguably, its depthless, timeless surface misdirects the composition and publication of writing, even writing that is instantiated in programmable media. In the field of poetics, there are traditions for which the surface of writing is complex. Although rarely made explicit, such approaches to the writing surface have enriched the practices of important writers, particularly poetic writers.

   Patricia Tomaszek - 14.09.2010 - 17:21

2. Ethnographic Study of an Online Creative Community

   Ethnographic Study of an Online Creative Community

   Penny Travlou - 21.09.2010 - 11:04

3. Johns Hopkins University Press

   The Johns Hopkins University Press is the publishing division of the Johns Hopkins University. It was founded in 1878 and holds the distinction of being the oldest continuously running university press in the United States. To date the Press has published more than 6,000 titles and currently publishes 65 scholarly periodicals and over 200 new books each year. Since 1993, the Johns Hopkins University Press has run Project MUSE, a large online collection of over 250 full-text, peer-reviewed journals in the humanities and social sciences. The Press also houses the Hopkins Fulfilment Services (HFS), which handles distribution for a number of university presses and publishers. Taken together, the three divisions of the Press - Books, Journals (including MUSE) and HFS - make it one of the largest of America's university presses.

   Patricia Tomaszek - 21.09.2010 - 11:06

4. The MIT Press

   The MIT Press

   Patricia Tomaszek - 21.09.2010 - 11:21

5. On Navigation and Interactivity

   On Navigation and Interactivity

   Simon Biggs - 21.09.2010 - 11:22

6. Vers de nouvelles formes en poésie numérique programmée?

   In English:

   I intend to illustrate some programmed forms among the most representative one of the
   digital poetry of today. They use two important features of the digital medium: dual performative
   signs and a semiotic gap between the author and the reader.

   Bootz Philippe. "About some programmed forms in e-poetry". Conference paper. EPC, SUNY Buffalo, 2006.

   In French:

   Cet article réalise une synthèse de mes travaux récents et propose, pour l’analyse des formes programmées, de nouveaux critères complémentaires de ceux proposés par ailleurs. La notion de forme programmée se dégage peu à peu des genres apparus en poésie numérique dans les années quatre-vingts Nous discutons les concepts à l’œuvre dans ces formes en insistant sur ceux de technotexte et d’intermédia. Ayant dégagé des axes analytiques performatif, lectoriel et instrumental, nous proposons et classifions quelques formes programmées.

   Patricia Tomaszek - 28.10.2010 - 16:52

7. Collaborative Art Experiments on Facebook

   Collaborative Art Experiments on Facebook

   Patricia Tomaszek - 12.01.2011 - 16:25

8. What is "The Asian Tower"?

   Un manufatto, un romanzo, un luogo di incontro, o piuttosto, come forse è più  giusto, un catalizzatore di energie creative, che sconfinano dal web al mondo reale, dalle lands di Second Life alle pagine dei blog e delle riviste cartacee, alle città del mondo, dall’architettura e dal desing alla scrittura, alla musica, all’arte visiva. Un progetto multimediale e plurilinguistico, dunque, che si è lasciato scoprire e interrogare nel suo farsi, sui blog dedicati e in occasione di diverse presentazioni e mostre, a Bologna, Firenze, Roma, Milano, Potenza. “La Torre di Asian” come manufatto virtuale, nasce dalla sperimentazione dell’idea dello spazio virtuale come racconto del suo costruttore, Asian Lednev aka Fabio Fornasari, owner in Second Life, architetto e desing bolognese nella vita reale; “La Torre di Asian” come romanzo collettivo, nasce dalla sperimentazione della narrativa, come restituzione letteraria della babele linguistica ed esperienziale contemporanea, da parte della scrittrice potentina, Lorenza Colicigno, in Second Life Azzurra Collas.

   Patricia Tomaszek - 12.01.2011 - 16:28

9. Multimodal Metaphor and Intersubjective Experiences: The Importance of Eye-Contact in Davidson’s Graphic Novel The Spiral Cage and in Annie Abrahams Net-Project On Collaboration

   Multimodal Metaphor and Intersubjective Experiences: The Importance of Eye-Contact in Davidson’s Graphic Novel The Spiral Cage and in Annie Abrahams Net-Project On Collaboration

   Patricia Tomaszek - 12.01.2011 - 16:32

10. WIKIARTPEDIA

    WIKIARTPEDIA

    Patricia Tomaszek - 12.01.2011 - 16:37

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