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untitled(to reconstruct)
This collaborative poem places the same text Jody Zellen wrote for “Cut to the Flesh” into a page space designed by Jason Nelson (originally for “Branch/Branch” and “A Tree with Managers and Jittery Boats”). This tree structure is a fascinating way to organize lines of verse because it creates multiple possible readings as the reader opens up branches in the hierarchy.
(Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 28.02.2013 - 14:07
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Clippings
This collaborative narrative was written by Valdeomillos on a page space developed by Jason Nelson for his poems “Dreamaphage” (the first version) and “Between Treacherous Objects.” This space creates spatial layers with an intuitive navigational interface that allows readers to pan, scan, and move back and forth through layers each of which reveals a portion of the narrative, which is structured by a conversation about memory, photography, past, present, and how much you might know someone that you love. The images, textual arrangements, and layers create clusters of spatially organized language that gesture towards poetry with its lines of verse and stanzas.
(Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 28.02.2013 - 14:19
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Biggz
This generative poem is built from four elements: an image, a caption, lines of verse by Simon Biggs, and a JavaScript framework Glazier developed for “White-Faced Bromeliads on 20 Hectares.” The poem and its contextual information are randomly generated whenever the page is loaded, reloaded, or every 20 seconds— which makes a marked difference in how one reads and conceptualizes the poem when compared to “White-Faced Bromeliads,” which refreshes every 10 seconds. Biggs’ lines of verse are perfectly grammatical, but unconventional in its logical formulations in the tradition of Language Poetry or Gertrude Stein, which makes them stand up well to the page’s generative engine.
(Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 28.02.2013 - 14:24
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the missing engine of laputa
Performance lecture by Marko Kosnik for Documenta Urbana 2 in Kassel, November 2006 A short resume on the topics of Laputa and The Engine from Gulliver's travels, Part 3: A voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib and Japan: taken from http://egonmarch.org/movies/laputaEngine.html
Dan Kvilhaug - 18.03.2013 - 14:51
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Commedia
Commedia
Dan Kvilhaug - 18.03.2013 - 16:32
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Inanimate Alice, Episode 2: Italy
Aptly called a novel, this serially published multimedia work uses games, images, video, and narrative prose cut into portions that use poetic tactics for delivery of ideas and story. And it is beautifully integrated, layer by layer, moment by moment, to deliver a poignant narrative about a girl named Alice who exemplifies her media-savvy generation. (Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 28.04.2013 - 16:45
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Computer Aided Poetry
Computer Aided Poetry
Jill Walker Rettberg - 10.06.2013 - 00:14
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Alter ego
Combinatory poem. The date (2006) is estimated. Archive.org first crawled this website in 2007, but Giovanna di Rosario writes in her dissertation that she accessed the wrok in 2006 (p 123).
Jill Walker Rettberg - 28.06.2013 - 22:30
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Madam Spider's Web
Madam Spider's Web
Jill Walker Rettberg - 29.06.2013 - 00:18
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Walking Blues Changes Undersea
Note from editor: Date is estimated. Cannot find work online.
Jill Walker Rettberg - 03.07.2013 - 11:20