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Teaching Digital Literature through Multi-Layered Analysis
Teaching Digital Literature through Multi-Layered Analysis
Eric Dean Rasmussen - 07.04.2011 - 12:34
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Approaches to Digital Literature: Temporal Dynamics and Cyborg Authors
Approaches to Digital Literature: Temporal Dynamics and Cyborg Authors
Eric Dean Rasmussen - 07.04.2011 - 12:47
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Every Rendition on A Broken Machine
Ross Sutherland finds the perfect poetic match in his robot collaborator: the SYSTRAN translator
Theodoros Chiotis - 15.04.2011 - 23:13
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Stress Fractures: Essays on poetry
Stress Fractures: Essays on poetry
Theodoros Chiotis - 15.04.2011 - 23:15
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These terabytes I have tries to shore against our ruins: Digital poetics, the modernist project and modes of cognition
These terabytes I have tries to shore against our ruins: Digital poetics, the modernist project and modes of cognition
Theodoros Chiotis - 15.04.2011 - 23:24
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Walk This Way: Mobile Narrative as Composed Experience
Raley examines mobile narratives, contrasting narratives that are simply narratives that are delivered to mobile phones, such as Japanese cell phone novels, with narrative experiences that are specific to their medial situation. That is "narrative that emphasizes the exploration of place and locality but is not strictly annotative." Rayley identifies three key terms of GPS and SMS-based narrative practice: experience, movement, and environment. Rita sees the participant in a mobile narrative as playing a function in the Nelsonian hypertext sense of branching, "performing on request." Having established a categorical frame, Raley reads a number of locative narratives including Hundekopf, Itinerant, Ping, and 34N188W.
Scott Rettberg - 18.04.2011 - 11:49
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Reading Digital Cultural Objects
Editorial note to Dichtung Digital #40 introducing papers by Braxton Soderman, Davin Heckman, Eduardo Navas, John M. Vincler, Martina Pfeiler, Nele Lenze, Roberto Simanowski, and Scott Rettberg.
Patricia Tomaszek - 06.05.2011 - 13:54
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Performative Reading: Attending The Last Performance [dot org]
The Last Performance [dot org] by Judd Morrissey, Mark Jeffrey, the Goat Island Collective, and more than 100 other contributors, is a work of database literature that exists in a number of different manifestations online, in performance, and in museum installations. The work-in-progress was initiated in 2008. It was composed using a constraint-driven collaborative writing process that invites user contributions. In this essay, Scott Rettberg considers the difficulties of attempting a close reading of this type of electronic literature, and suggests some strategies for attentive reading, driven by close reading of fragments of the work and awareness of how the work functions as a computational and narrative system.
Patricia Tomaszek - 06.05.2011 - 14:01
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Understanding New Media Art Through Close Reading. Four Remarks on Digital Hermeneutics
With the increasing importance of digital media in all areas of social and cultural life, it is necessary to define a conceptual framework for understanding the social changes it generates. This implies to introduce students and readers to the new methods of critically interacting with media in digital culture. Conference presentations and publications develop the theoretical background and methods needed in scholarship and education to approach the new topics. At various universities, scholars discuss the consequences of such developments under the umbrella terms of digital literacy, digital humanities, or “electracy.” Nevertheless, scholars also must concentrate on the aesthetic aspects of digital media, investigating in new artistic genres emerging from or changes in existing genres brought about by digital media.
Patricia Tomaszek - 06.05.2011 - 14:31
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The Monstrous Book and the Manufactured Body in the Late Age of Print
The Monstrous Book and the Manufactured Body in the Late Age of Print: Material Strategies for Innovative Fiction in Shelley Jackson’s Patchwork Girl and Steve Tomasula’s VAS: An Opera in Flatland
Patricia Tomaszek - 06.05.2011 - 14:51