Search

The search found 2616 results in 0.101 seconds.

Search results

1. A Response to Twelve Blue by Michael Joyce

   A Response to Twelve Blue by Michael Joyce

   Eric Dean Rasmussen - 11.03.2011 - 11:29

2. Don't Believe the Hype: Rereading Michael Joyce's Afternoon and Twelve Blue

   Don't Believe the Hype: Rereading Michael Joyce's Afternoon and Twelve Blue

   Eric Dean Rasmussen - 11.03.2011 - 12:40

3. From Lexias to Remediation: Theories of Hypertext Authorship in the 1990s

   How electronic-writing technologies will affect authorship remains an
   important issue in hypertext theory. Theorists agree that the author’s function
   has changed and will continue to change as writing migrates from the page to
   the screen, but they disagree on the specifics of how print-based and
   hypertext-based authorship differ and whether this digital migration constitutes a radical break from the age of print. Early hypertext
   advocates, writing in the early 1990s, claimed that naviagational features, such
   as hypertextual links, transfer a large degree of textual control from writers
   to readers, thus blurring the distinction between the role of the author and
   that of the reader. More recently, theorists began to dispute the idea that the
   hypertextual reading experience was necessarily more creatively empowering than
   reading a printed book. Exploring the arguments of influential hypertext
   theorists, this paper traces developments in hypertext theory in the United
   States during the 1990s. It describes how poststructuralism has informed
   

   Eric Dean Rasmussen - 11.03.2011 - 12:51

4. A Quick Buzz around the Universe of Electronic Poetry

   An introductory essay that offers readers new to electronic poetry a brief survey of the field as it was taking shape at the beginning of the new century. The essay provides a tentative definition of e-poetry and identifies various poets writing digital poetry along with links to their works.

   Eric Dean Rasmussen - 11.03.2011 - 13:03

5. Stitching Together Narrative, Sexuality, Self: Shelley Jackson's Patchwork Girl

   Landow, who praises Patchwork Girl as "the finest hypertext fiction thus far to have appeared," appreciates Jackson's mastery of hypertextual collage, which reveals, he suggests, how analogous techniques are at play when we conceptualize our gendered identities.   (Source: Eric Dean Rasmussen)

   Eric Dean Rasmussen - 11.03.2011 - 16:11

6. Understanding Digital Humanities: The Computational Turn and New Technology

   Understanding Digital Humanities: The Computational Turn and New Technology

   David M. Berry - 12.03.2011 - 14:08

7. E-Lit Works as 'Forms-of-Culture': Envisioning Digital Literary Subjectivity

   E-Lit Works as 'Forms-of-Culture': Envisioning Digital Literary Subjectivity

   Eric Dean Rasmussen - 14.03.2011 - 08:44

8. Flickering Connectivities in Shelley Jackson's Patchwork Girl: The Importance of Media-Specific Analysis

   Flickering Connectivities in Shelley Jackson's Patchwork Girl: The Importance of Media-Specific Analysis

   Eric Dean Rasmussen - 14.03.2011 - 20:44

9. Stitch Bitch: the Patchwork Girl

   It has come to my attention that a young woman claiming to be the author of my being has been making appearances under the name of Shelley Jackson. It seems you have even invited her to speak tonight, under the misapprehension that she exists, that she is something besides a parasite, a sort of engorged and loathsome tick hanging off my side. May I say that I find this an extraordinary impertinence, and that if she would like to come forward, we shall soon see who is the author of whom.

   Well? Well?

   Very well.

   I expect there are some of you who still think I am Shelley Jackson, author of a hypertext about an imaginary monster, the patchwork girl Mary Shelley made after her first-born ran amok. No, I am the monster herself, and it is Shelley Jackson who is imaginary, or so it would appear, since she always vanishes when I turn up. You can call me Shelley Shelley if you like, daughter of Mary Shelley, author of the following, entitled: Stitch Bitch: or, Shelley Jackson, that imposter, I'm going to get her.

   Eric Dean Rasmussen - 14.03.2011 - 20:58

10. Narrative Motors

    Deploying the metaphor of "narrative motors," Tisselli analyzes several of his own "degenerative works" in which the program (the engine) burns fuel (information) until it is depleted and generates noise.

    Eric Dean Rasmussen - 23.03.2011 - 13:15

Pages