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  1. Intermission

    Intermission is a performative redadaction of the poetics of cinema. The performance and media platform utilizes René Clair’s short film Entr’acte (1924, a collaboration with Picabia and Erik Satie) as a starting point, reimagining cinema as if the Dadaist vision for the medium had become the prevalent form.

    Talan Memmott - 17.06.2011 - 12:41

  2. Walt FML Whitman

    This poetic mashup Twitter bot places Walt Whitman in conversation with contemporary people expressing their frustrations in social networks. To be precise, he repurposes Darius Kazemi’s “Latour Swag” code to remix two different Twitter sources: @TweetsOfGrass and original tweets with the #fml hashtag. (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 09.05.2013 - 23:13

  3. My Imaginary Well-Dressed Daughter

    A Pinterest board where pinned fashion photos of children are captioned to tell the story of little Quinoa and her rich and fashion-savvy friends. While not exactly a narrative, the board does draw a picture of a family and its friends that simultaneously mocks both the fashion industry and the showing off of children that can happen in social media.

    Jill Walker Rettberg - 21.06.2013 - 07:44

  4. ION 1

    ION 1 is a crowd-sourced series of 111 sound poems-in-progress by mic mac (Michael MacKenzie) in collaboration with the Post Art Poets spanning Gertrude Stein's ‘Tender Buttons’ (which can be freely read here: www.bartleby.com/140/). The work layers 7 (and in later instances as many as 32) readings of the ‘Tender Buttons’ poems into single clips. To participate, unaltered found or original human voice recordings may be submitted and will appear in subsequent installments of the poem. Send submissions to my email (below). An award system (called Copycoins) provides funds for more in-depth interaction with the poems. Statistics particular to each reading will appear in the sound-files’ [Youtube] descriptions. Each of the poems here are in their seventh installment. The playlists will grow and be modified as time passes; the poem is expected to run indefinitely - until I or the community lose(s) interest in it. Thank you. (Source: Elo conference: First encounters 2014)

    Eivind Farestveit - 12.02.2015 - 14:08