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Spawn
Spawn is a mouse-responsive liquid poem that reduces its own language and content into chaos and symbols.
Eric Dean Rasmussen - 11.02.2011 - 16:45
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Pentimento
This narrative poem is a fascinating type of hypertext because instead of having five primary nodes from which to follow linear threads it uses a layering interface for navigation. The reader, instead of clicking on links, scrapes away at images to reveal an image beneath, and can continue to scrape away until she reaches the end of that narrative thread. This allows readers to reveal more than one layer at a time, as pictured above in a screenshot of three layers in the introduction. (Source: Leonardo Flores, I ♥ E-Poetry)
Jerome Fletcher - 30.09.2011 - 13:46
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To Be or Not To Be Mouchette
Me, Mouchette, the online virtual character, I have an unusual status of existence. Regarding the art of my website (www.mouchette.org) I am the author and the creation at the same time, and yet through my remote internet life I remain invisible, anonymous, genderless, untouchable, neither alive or dead. Therefore participants of my interactive website confide in me in the most intimate way, as if were an imaginary being, living in their own head. Inside their own thoughts, no subject is taboo, fear, pain, life and death or even the temptation of suicide, and with me people feel free to talk about everything. With the reactions of the participants to my website I have composed animation films displaying many of the texts I received, spoken out by pixellated characters who tell their most private thoughts about their experience of surviving suicide, their own or someone else’s. My personality embraces all of my participant’s minds and together we form a collective consciousness pondering over questions of life and death in the digital era.
David Prater - 24.10.2011 - 10:40
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petite brosse à dépoussiérer la fiction
petite brosse à dépoussiérer la fiction" (small brush to dust off fiction) is a generative piece written in French. A scene of thriller is generated at each time you run the program or ask for a new scene. This scene explores different possibilities of a scenario. But the reader must continually "dust" a picture that covers the text while reading. The text is a pastiche: the scene is located at a time in a single location. Some features happen out of this room, they are computed by the program but not expressed into the narrative. The piece begins with some "adapted" poems by Jean de La Fontaine.
(Source: The ELO 2012 Media Art Show.)
Eric Dean Rasmussen - 23.04.2012 - 14:03
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Marble Springs 3.0
This hypertext epic about the lives of the inhabitants of Marble Springs, a fictional gold rush town in Colorado is an ambitious project 25 years in the making. (Source: Leonardo Flores, I ♥ E-Poetry)
Deena Larsen - 20.06.2012 - 19:14
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Ghost City
Ghost City is a website that focuses on the representation of the city by the mass media. It uses the space of the web as a sculptural space, allowing viewers to interact with animated graphics to delve deeper and deeper into an imaginary city.
Ghost City is a labyrinthine environment through which viewers can navigate, either following the linear narrative that unfolds by moving from page to page, or they can delve into the non-linear chaos of random links. Each space is made up of appropriated images and texts. The images are culled from various print media sources. The texts are either found passages from urban theory or specifically written poetic musings on the city.
Scott Rettberg - 20.10.2012 - 15:06
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I Love You
This poem is structured as a cloud consisting of language and sail-shaped figures. This complex set of objects contain the sentence “I love you,” “my love,” and “I will love you forever” in several languages, colors, and positions and responds with rotation along different axes depending upon the position of the pointer on the screen. The spherical shape of the rotation along with the translations of the sentence gesture towards its universality. If this were to be dedicated to someone, it delivers a message of a love that will express itself no matter where the pointer— the symbolic presence of the reader in the text— is moved to.
(Source: Leonardo Flores)
Helene Helgeland - 12.11.2012 - 14:48
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The Defacement of Desire
This collaborative poem is designed as an installation at Brown University’s CAVE, a cube-shaped room equipped with projection in all six directions, surround sound, and multiple input devices, such as 3D goggles, gloves, and head tracking. (Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 28.02.2013 - 13:47
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Chasing Pandora
This hypertext poem included in the 2011 New Media Writing Prize Shortlist (in the Student category) tells the story of a stalker and his victim. The speaker is the stalker who opens a Facebook account under the pseudonym “David Mills” (after typing and deleting “Micheal” from the name field) to be better able to stalk the subject of his obsession, a young Canadian woman called Pandora Oaklear. The stalker is not much of a poet, writing in more or less iambic tetrameter and dimeter, rhyming words like “distance” with “persistence,” and using a rhyme scheme so irregular that it is surely a reflection of his perturbed thought process. He is smart enough to open accounts under multiple pseudonyms and in different cloud-based content hosting services, such as Webnode, Flickr (a Yahoo! service), Facebook, and YouTube (a Google service). Only this disturbing bit of center-justified verse and the focus on the victim weave all these photos, accounts, and videos together, including a newspaper clipping that chillingly gestures towards a blurred boundary between fiction and reality.
Hannelen Leirvåg - 13.03.2013 - 00:54
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Inanimate Alice, Episode 2: Italy
Aptly called a novel, this serially published multimedia work uses games, images, video, and narrative prose cut into portions that use poetic tactics for delivery of ideas and story. And it is beautifully integrated, layer by layer, moment by moment, to deliver a poignant narrative about a girl named Alice who exemplifies her media-savvy generation. (Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 28.04.2013 - 16:45
