Search

The search found 114 results in 0.01 seconds.

Search results

1. The Exquisite Corpus

   The video-essay features interviews with 17 electronic literature scholars and practitioners including Mark Amerika, Simon Biggs, Serge Bouchardon, J. R. Carpenter, John Cayley, Cris Cheek, Maria Engberg, Jerome Fletcher, Maria Mencia, Nick Montfort, Jörg Piringer, Jill Walker Rettberg, Scott Rettberg, Alexandra Saemmer, Roberto Simanowski, Christine Wilks, Jaka Železnikar. The production method for the video-essay is interesting in that the questions being asked of the interviewees are never explicitly pronounced. Rather, the video is divided into sections based on the general themes Futures and Foci, Platforms and Politics, The Human Problem, Senses and Screens, Reading and Writing. The answers given by the various interviewees are wide-ranging and address issues as diverse as the future of electronic literature, the ownership of data, the roles of author and scholar, and the issue of national models of electronic literature. What emerges from the video-essay is a sense of the dynamism and complexities that make up electronic literature as a field. (Source: ELO 2015 Catalog)

   Hannah Ackermans - 30.11.2015 - 10:34

2. Shy Nag Code Opera

   Co-teaching an online course at UnderAcademy College, Chris Funkhouser and Sonny Rae Tempest co-authored the libretto Shy nag by applying a series of intensive digital processes to a piece of hexadecimal code (derived from a .jpg image). Shy nag, after a year of intensive deliberations with regard to media application in a performance setting, is now a multimedia, “code opera” that transforms (repurposes) the same piece of code to add visual display (scenery) audio component(s) to the work. In Shy nag, Microsoft Word and numerous other programs and processing techniques have a non-trivial presence in the composition. Software serves as a type of interlocutor that sustains the writers’ experimental objective – a time-consuming process blends creative and uncreative. The exercise also contains destructive qualities as the code migrates to language, image, and sound – although the authors prefer foregrounding its multi-level transformative properties.

   Hannah Ackermans - 30.11.2015 - 10:43

3. Notes Very Necessary

   Notes Very Necessary is a collaboratively authored web-based multi-media essay that aims to addresses climate change by remixing images, text, and data generated by centuries imperialist, colonialist, capitalist, and scientific exploration in the Arctic. The title is borrowed from an essay authored in 1580 by the Englishmen Arthur Pet and Charles Jackman offering detailed instructions on how to conquer new territories by taking copious notes. In 2015 Barbara Bridger and J. R. Carpenter attempted to follow these instructions by making, finding, and faking notes, images, data, and diagrams online and reconfiguring them into a new narrative. The result is a long, horizontally scrolling, highly variable collage essay charting the shifting melting North.

   J. R. Carpenter - 03.01.2016 - 16:34

4. WALLPAPER

   USA-based computer engineer and innovator PJ Sanders returns to his remote family home in the UK following the death of his elderly mother. His agenda: to close the place down and sell it. But not before he employs an experimental device he’s been working on, primed to help him uncover the history behind one particular room in the house – a room that has remained locked since his childhood.

   (Source: Author)

   Andy Campbell - 21.01.2016 - 19:12

5. Mastering the Art of French Cooking and Systems Theory

   Mastering the Art of French Cooking explores variable communications platforms and randomly accelerated speeds of reading. The work projects a four-column machine-based mode of reading two works that are difficult to master: Julia Child's The Art of French Cooking, and a text by Niklas Luhmann on the subject of systems theory. The default speed of reading is set at 1200 words per minute but is variable and may be changed by adjusting the URL.

   (Source: Author's Statement from ELC 3)

   Nikol Hejlickova - 30.08.2016 - 16:13

6. A Change of Heart

   “A Change of Heart” asks the question, Is there life after college? For Danny Clay, there is no easy answer as his job, dreams, love life, and health devolve into chaos. Refusing to be molded, “Clay” navigates through one strange event after another on his predestined path to what he has always rejected: change.”A Change of Heart” is linear in plot and uses other elements of fiction (character, symbol, etc.) typically found in conventional print-based works. This is a deliberate attempt to bridge the “audience gap,” where we still see a mainstream audience for print-based literature, but a limited audience for electronic works. This bridging is an important concern in our field: with works using linear plots and other standard elements of fiction, we can expand our audience among readers who are more comfortable with the conventions of traditional literature; at the same time, we can also show younger writers a path, with its historic antecedents, that connects the past and future of storytelling.

   Eirik Tveit - 22.09.2016 - 15:27

7. Elpenor

   The installation, “Elpénor,” is an interactive generated multimedia piece based on an electronic music by Xavier Hautbois. It treats of the confusion by generatively destructuring all media (the music, 3 texts, 1 visual) in order to produce a narrative depending on the activity of the reader. The reader must progressively dig with the mouse a visual composed with a layer of pictures from 2 different Spanish countries. The program recreates randomly these pictures and thwarts the reader’s activity. It results in an interactive generated visual that is the user interface of the piece. Each picture is associated with a concept and the others parts of Elpénor are text and music generators that react at each time to the proportion of each concept into the visual interface. These generators are very specific. The music generators deconstructs a previous work by Xavier Hautbois by moving into the score. It does not result to an “open work” in the classic sense because the music is generated and each sample depends on the current state of the generator that does not exist in an orchestra musical open work.

   Eirik Tveit - 03.10.2016 - 12:34

8. panTVcon

   Although This work was presented by Scott as being located in the library at the opening of the End(s) of Electronic Literature Festival Exhibition at The Arts Library. Its was in fact not a part of the official Electronic Literature Organization 2015: The End(s) of Electronic Literature festival, and yet it was there.
   The meta-story of this "space-hack" should be seen in relation to the history of the physical object itself (TV), (Taroko-remix),e-poetry as well as Foucault work Discipline and Punish, Panopticism and the power institutions.

   The digita part of the Take Gonzo was hosted on the secret sub folder together with to the rest of the digital works presented in the End(s) of Electronic Literature Festival Exhibition Kiosk.

   Anders Gaard - 04.10.2016 - 21:36

9. Take Gonzo

   Take Gonzo started as a Taroko Gorge remix, and is now the gateway in to an creative exploration through the electronic literature filed.

   Take Gonzo includes a morse code which translates into an English sentence.

   Anders Gaard - 04.10.2016 - 22:43

10. Tell the Story

    Tell the Story is a study on the misreadings arising from translating among casual speech, print, and digital media, and the not-so-transparent influence of digital media formats. This work is a preliminary inquiry toward future works adding an artistic component to the “After Combat” project of millennial war stories at Texas A&M University.

    As the audience enters the installation space, they will hear spoken “verses” and “choruses,” drawn from historical accounts of war from transcribed interviews. The “verse” sections are read by Elisabeth Blair with audio glitches introduced by custom software, including dropouts, corrupted streams (as with a bad cellphone signal), and “scrubbing” sounds from rewinding/fast forwarding—such a common mode of taking in digital speech, nonlinearly. The chorus sections are read by many voices in heterophony, highlighting the multitude of inflection that readers might interpret as they read the transcriptions aloud.

    Nikol Hejlickova - 19.10.2016 - 17:50

Pages