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1. Code Movie 1

   Code Movies are made with hex, ASCII, and binary codes extracted from JPG images. Saved as simple text, they are reworked and edited in Flash. They are part of a larger project I've been working on since 2004 (//**Code_UP). The submitted work (Code Movie 1) is made of hexa code. The project interrogates the role of the code in meaning construction and the new forms of translations that digital languages embody. It questions: Now that the Cybertext confuses itself with the notion of Place (a web address, for example) and that Image only reveals itself through a "hyperinscription" (a URL), can we think in a poetics of transcodification between media and file formats? Can we keep talking about "WYSIWYG" utopias? How does it affect our ways of reading, seeing, and perceiving?

   (Source: Author's description in the ELC 1)

   Scott Rettberg - 09.04.2011 - 16:11

2. Tao

   Tao

   Eric Dean Rasmussen - 21.04.2011 - 12:25

3. Deviant: The Possession of Christian Shaw

   Deviant: The Possession of Christian Shaw is an animated interactive graphic based on the historical story of Christian Shaw and her demonic possession. Set in 1696 amongst the witch trials, this project explores new ways of experiencing a story — harnessing the allure of mystery and uneasy tensions and plucking the participant's sense of social responsibility. (Source: Author description, Electronic Literature Collection, Vol. One.)

   It’s a visual game and almost non-textual. You play by clicking on the active areas. It’s not always easy to see the areas so you need to click around and just try for a while. There are sounds when you click on different areas. The game takes place in something looking like a small town, and smaller images pops up when you click on items.

   Eric Dean Rasmussen - 27.04.2011 - 12:28

4. ii — in the white darkness: about [the fragility of] memory

   Strasser and Coverley's visual poem is a multimedia meditation on the nature of memory. By choosing pulsing dots as if from behind a veil, the reader activates collages of photographs and ambient sounds, representing the process of trying to recover lost memories, which surface and fade in and out of intelligibility.

   Scott Rettberg - 06.10.2011 - 10:36

5. Disembodied Voices

   Disembodied Voices

   Scott Rettberg - 20.10.2012 - 15:17

6. Bacterias Argentinas

   Bacterias argentinas is a dynamic model of autonomous agents that recombine genetic information eating one each other and where the genetic information is a narrative. The energy and staff circulate. Word is energy. A version of this model was used in the exhibition Juego doble (Double Game) in Mexico D.F. (Source: Maya Zalbidea) In bacterias argentinas Colombian digital artist and data visualization developer Santiago Ortiz creates a linguistic-multicellular environment that models the interactions between basic organisms in a virtual ecosystem. In Ortiz’s words, it is “a dynamic model of autonomous agents that remix genetic information by consuming one another, and in which genetic information is narrative.” In this Flash work, Ortiz explores the question of life as information by mapping linguistic elements onto color-coded “bacteria” that circulate freely in this bio-linguistic ecology.

   Maya Zalbidea - 18.07.2014 - 22:05

7. Alice in the 'Wonderbalcony'

   "A work between reality and fantasy, where the Brazilian Regina Célia Pinto offers an interpretation of Lewis Carroll's world from the perspective of the balcony of her house, a metaphor for the artist's own life." -- El País, April 21st, 2005 (auto-translated).

   Lene Tøftestuen - 05.06.2021 - 12:52