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Why did you cry when you read that poem
Why did you cry when you read that poem
Carlos Muñoz - 26.09.2018 - 15:11
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Fractalize 1: I've loved you from afar
FRACTALIZE is a hypermedia fiction project created by Tony Vieira, with Lesley Loksi Chan and Arthur Yeung. The first installment, ”I've loved you from Afar,” is a fractal reminiscence of a romance across space and time. Created for Supercrawl 2017, a four day art and indie music festival in Hamilton, Canada, Fractalize is intended to exist both inside a gallery space as much as within the audience member’s smartphone. Narrative “fractals” will be delivered over the course of the five day ELO Conference and Festival via email and social media, with intentional knowledge gaps that users fill in based on their own experience, anxieties, and desires. Users experience the project in the form of VR/360º video gallery exhibit, video walks, web videos, photographs, original music, text messages, sound art, Spotify playlists, and social media posts. Characters within the narrative have their own social media identities which are regularly updated over the course of the exhibition, creating a blurring of the lines that separate reality and virtuality.
Nina Kolovic - 26.09.2018 - 15:12
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The Automatic Writing Machine
The Automatic Writing Machine
Jana Jankovska - 26.09.2018 - 15:13
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Replicant
Inspired by the “They Might Be Giants” song of the same name, Replicant is a psychological sci-fi thriller which uses the interactive fiction medium to explore memory, humanity, and identity, and asks, what really makes us the people we are? Our physical bodies? Our life experience? The truths we tell others? A person wakes up in a mysterious lab with no memories of their previous life and nothing to go on but their own name. This work was created for the Nanobots album, a collection of Twine games based on They Might Be Giants songs, which can be found at http://nanobots.shark.moe/. Content warning for gore
Jane Lausten - 26.09.2018 - 15:17
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OTTARAS: 2CONCRETE
In the autumn 2014 I was reading in the TARP festival in Vilnius and in the ZEBRA film poetry festival in Berlin. This was motivating for extending my project in the direction of sound poetry. Meeting the Russian composer Taras Mashtalir in e-Poetry2013 in London and later in Bergen, has resulted in a great collaboration. Together we are OTTARAS, and so far we have produced six sound poetry tracks based on my earlier works and with videos made by Alexander Vojjov and Yan Kalnberzin.
Source: http://yellowpoetry.com/sound-poetry-news/
Chiara Agostinelli - 26.09.2018 - 15:17
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Berlin Remix
"Berlin: Symphony of a Great City" by Walter Ruttman (1927) is the central work in the genre of "City Films" which thrived internationally in the 1920s and 1930s. "Berlin Remix" is a generative video installation based on this seminal work. The original film has been deconstructed into its individual shots, which are placed in a shots database. "Berlin Remix" investigates cinematic style and technique through the creation and presentation of an ongoing series of short films drawn from this database. Each of these short films reflects a different facet of the original work, and each film is unique - differing from the others in cinematic style, thematic content or both. The artist has defined a number of style templates through analysis of various documentary films, particularly those in the City Film genre. The templates incorporate different content themes (such as work, recreation, culture, class) and a variety of cinematic manipulations (such as sequencing pattern, editing pace, transition choice, and visual treatment). The templates will use real-time algorithmic operations to call up shots and apply the cinematic treatment.
Susanne Årflot Løtvedt - 26.09.2018 - 15:18
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Wuxia le renard
Sensitive to the idea of reconnecting children to their environment using a paper book, the designers wanted to make the experience more stimulating through technology. "I first wanted to encourage my daughter to enjoy slow, contemplative reading, because I observed that this kind of reading made her able to invent stories with a richer imagination," says Jonathan Belisle, author of Wuxia the Fox and partner at SAGA. This children's story, uniting the paper book with an iPad application, features speech recognition technology that is animated by reading aloud and triggers musical patterns, sound effects and interactive scenes.
Carlos Muñoz - 26.09.2018 - 15:19
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Las piedras del camino
The installation "Las piedras del camino" is a representation of the landscape walked by Don Quijote in the first part of his journey. We converted literary fragments to rocks by calculating the magnitude of some confusions and mistakes that are narrated in the first part of the novel Don Quijote de la Mancha, written by Miguel de Cervantes. We can now use this rocks to make scultural representations of Don Quijote's landscape through the objectification of his mistakes.
The process
Amirah Mahomed - 26.09.2018 - 15:19
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Rewriting, Relearning : Creative Collaborations in the Digital Humanities
Eight scholars joined an experimental writing workshop in the mid 2000s, in the hope of transforming their work and its impact—and developed some of the first projects to be published in the groundbreaking digital humanities journal Vectors. In this musical, performative documentary, your keypresses trigger statements and media from alumni of the Vectors workshop as they retrace their experiences, which for many had a significant effect on how they thought and wrote. Delivered using a new technology called Stepworks, every word, image, sound, video, and musical note in the documentary was individually specified using Google Sheets. The work is presented in two parts, which can be navigated
using the menu in the top right.Jane Lausten - 26.09.2018 - 15:20
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Institute for Southern Contemporary Art
The Institute for Southern Contemporary Art is a long-term project that aims to
develop an experimental platform for artists and cultural producers through
results derived from machine learning and art market data. Drawing from climate
change disasters and the use of algorithmic analysis, the video portrays a
dystopian future where the creation of art is tied to its market consumption.
Although ISCA’s mission seems disconcerting, it also strikes as strangely
familiar. Is ISCA simply looking to join the likes of existing programs such as
ArtRank and Art Advisor, or does it rather wish to shed light on the possible
pitfalls of these endeavours? Doubt is at the core of this proposition.(source: Description from the schedule)
June Hovdenakk - 26.09.2018 - 15:21
