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1. Words and Syllables

   Sven Philipp on Cosmopolis and what seems to be a new stage in the critical reception of DeLillo.

   Glenn Solvang - 07.11.2017 - 14:28

2. Racial Remix

   Regarding a monumental work on race, time, and classical music that does not lose sight of individual, localized lives.

   Glenn Solvang - 07.11.2017 - 14:39

3. The Question of the Animal

   On posthumanism potentially worthy of the name.

   Glenn Solvang - 07.11.2017 - 14:48

4. Manuel DeLanda's Art of Assembly

   Aaron Pease reviews Manual DeLanda’s philosophy of the virtual.

   Glenn Solvang - 07.11.2017 - 14:53

5. The Godfather Seen Through The Lens of Elite Criticism (and Vice Versa)Jp

   Chris Messenger achieves a rare convergence of elite and popular cultural criticism by doing for The Godfather (and its spinoffs) what previous critics have done for Uncle Tom’s Cabin.

   Glenn Solvang - 07.11.2017 - 15:03

6. The World is Flat

   According to Amy Elias, Paul Maltby’s negation of the mystical Other forecloses ‘the most interesting conversation’: between a critic who does not believe in visionary moments and those writers and critics who do believe in them.

   Glenn Solvang - 07.11.2017 - 15:12

7. Metahistorical Romance

   On Amy Elias’s view of fabulation in the moment of American corporate power, a postmodern novelistic aesthetic that is consistent with Sir Walter Scott’s early nineteenth-century mix of romance and Enlightenment-inspired historiography.

   Glenn Solvang - 07.11.2017 - 15:21

8. Printed Privileges

   Carsten Schinko on Niklas Luhmann’s Analogue Loyalty.

   Glenn Solvang - 07.11.2017 - 15:31

9. New Media and Old: The Limits of Continuity

   Lev Manovich makes the first sustained case for a new media theory, but with cinema as his starting point he has a hard time engaging the non-representational artforms and aural explorations to be found there. So argues the Australian media writer, geniwate.

   Glenn Solvang - 07.11.2017 - 15:34

10. Tales of Almost

    Linda Carolli on the third hybrid collection by Michael Joyce, a work (like the technological landscape it’s about) at once industrial and informatic, essayistic and narrative, technical and autobiographical.

    Glenn Solvang - 07.11.2017 - 15:43

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