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1. marbel + matrikel

   A soundplay of original written text and music, which was also published as a stand alone written text.

   A story about two human beings who decide to go through with an operation that could give them eternal youth. The operation goes wrong and all of their experiences, memories, sense of time and place, and knowledge is lost. What they regain is not quite the same.

   Mathias Vetti Olaussen - 16.09.2021 - 12:00

2. A Platform Poetics: Computational Art, Material and Formal Specificities, and 101 BASIC Poems

   My digital art is highly computational, or process intensive—it is more about code and symbol manipulation, and less about data, the visualization of data, or multimedia effects. But beyond this, what I do often explores specific computer platforms. In this essay I describe how my project 101 BASIC Poems is part of a platform practice engaging the Commodore 64, the Apple II series of computers, and the BASIC programming language. My project 101 BASIC Poems is an initiative to develop just more than a hundred computational artworks, each one not just a digital text but also a computer program that can and should be run. On the computational end of things, a major inspiration is 101 BASIC Computer Games, a collection of BASIC programs that fired the imaginations and scaffolded the programming ability of many people in the late 1970s and early 1980s.

   Nick Montfort - 15.11.2021 - 00:24

3. Dichtbij

   Een app die op basis van onder meer locatie, tijd, nieuws, omgeving en weersomstandigheden gedichten genereert. Druk op de knop, maak een foto, en de app produceert een gedicht toegesneden op de situatie waar de gebruiker zich op dat moment bevindt. De app werkt wereldwijd.

   Boog en Van der Wens werkten eerder samen aan projecten waarin tekst en beeld samenkomen. Ze verzonnen Dichtbij samen; Boog schreef het basismateriaal voor de gedichten voor de app, Van der Wens verzorgde de vormgeving en de user interface. De app ontving financiële steun van het Nederlands Letterenfonds.

   [Bron: KVB Boekwerk]

   Siebe Bluijs - 28.01.2022 - 15:15

4. Nested Folders: On Birds in Digital Poetry

   Digital poets have long explored the representation of birds’ physical presence and their mediation through visual and sonic technologies. Noah Wardrip-Fruin attributes the “first experiment with digital literature and digital art of any kind” to Christopher Strachey (302). The word “duck” appears in Strachey’s Love Letter generator, programmed on the Manchester University Computer in 1952. The word is used as a term of endearment; it does not refer to a specific bird. Birds and bugs intermingle in Jörg Piringer’s early iOS app, abcdefghijklmnopqrstuvwxyz (2010). In this piece, the winged creatures are not represented pictorially, but rather, by behaviour. The user selects letter forms from the edges of the screen, which then soar, in the case of birds, or jitter, in the case of crickets. Maria Mencia’s earlier work, Birds Singing Other Birds' Songs, was first exhibited at the Medway Gallery in 2001. As is the case in Piringer’s app, the birds are composed of letter forms.

   J. R. Carpenter - 25.04.2022 - 10:42

5. 8-bite

   Artist description: This is a game created by spencer and kelsey for the 8th issue of taper, a computational poetry magazine. The idea is a subversion of the classic pacman, where instead of eating food, the player eats words to make their own poem. The words come from a very limited word bank, but because they are curated to be multipurpose, the limited word set and constraints of movement on the grid provide a lot of fun playability. Play around! Your poems will save automatically (local to your browser) and you can optionally submit them to the public gallery.

   Jill Walker Rettberg - 27.06.2022 - 18:32

6. The Infinite Woman

   The Infinite Woman is an interactive remix and erasure poetry platform. As a feminist critique and artistic intervention, the web app remixes excerpts from Edison Marshall’s novel The Infinite Woman (1950) and Simone de Beauvoir’s philosophy book The Second Sex (1949). An n-gram algorithm procedurally generates infinitely scrolling sentences that attempt to describe and critique an eternal feminine essence. Revealing patterns through iterative permutations, this algorithmic remix of Marshall’s and Beauvoir’s language stretches the logic of “the infinite woman” to the breaking point. Meanwhile, fog slowly obscures the screen, visually performing the concept and technique of erasure. Users can select sentences from the infinitely scrolling text to send to a canvas workspace, where they can erase words and rearrange sentences to create their own poems. These user-generated erasure poems proliferate possibilities for deconstructing and reimagining gendered subjectivity.

   Aurelia Griesbeck - 28.01.2023 - 15:10

7. The Abandoned Library

   In a future Northern England devastated by climate change, CJ, a young poet, is working to salvage valuable resources from the flooded remains of a once-thriving coastal town. The world she inhabits leaves her feeling angry and displaced. She is living through the catastrophic consequences of previous generations’ mistakes.

   Taking shelter from an approaching storm, CJ ventures inside an old library, where she discovers a bizarre ‘living’ fusion of nature, language and technology. At its heart is The Librarian, a malfunctioned AI that has spent the last few decades years gathering data from its turbulent surroundings. Affected by years of extreme temperatures and abnormal weather conditions, The Librarian is forming its own unique work of literature: a story of connectedness and hope that needs a strong and resilient protagonist.

   Andy Campbell - 22.04.2024 - 10:40

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