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  1. Computer Poetry

    Silvestre Pestana programmed in BASIC, first for a Sinclair ZX-81 and ZX-82, and then, already with chromatic lighting, for a Sinclair ZX Spectrum, three poems respectively dedicated to Henri Chopin, E. M. de Melo e Castro and Julian Beck, which resulted in the Computer Poetry (1981-83) series. Pestana, a visual artist, writer and performer – who had returned from the exile in Sweden after Portugal’s Carnation Revolution of April 25, 1974 – brought diverse influences put forward with photography, video, performance, and computer media. From his creative production, it should be emphasized the iconic conceptual piece Povo Novo [New People] (1975), which was remediated by the author himself in the referred series of kinetic visual poems, or “infopoems” (Melo e Castro 1988: 57).

    Alvaro Seica - 11.09.2013 - 10:04

  2. Poemografias: Perspectivas da Poesia Visual Portuguesa

    An anthology of Portuguese experimental poetry, focusing on visual poetry. The collection includes several authors and works, e.g. Silvestre Pestana's Computer Poetry series (1981-83), programmed in BASIC on a ZX-81 and Spectrum. The book's cover is a photograph of the original work displayed on a TV screen.

    Alvaro Seica - 22.04.2014 - 14:29

  3. Computer Poetry ZX81

    Computer Poetry ZX81

    Silvestre Pestana - 05.10.2014 - 14:27

  4. 'Computer Poetry' by Silvestre Pestana

    In the 1980s, the world saw the introduction of personal computers (PCs). While the first creative stage of electronic literature took advantage of mainframe computers, only accessible in institutional environments, the context in which Silvestre Pestana created his first computer poems was totally different – a new wave Pedro Barbosa sarcastically calls “poesia doméstica” [domestic poetry] (1996: 147). With personal computers, Silvestre Pestana programmed in BASIC, first for a Sinclair ZX81, and then, already with chromatic lighting, for a Sinclair ZX Spectrum, three poems respectively dedicated to Henri Chopin, E. M. de Melo e Castro and Julian Beck, which resulted in the Computer Poetry (1981-83) series. Pestana, a visual artist, writer and performer – who had returned from the exile in Sweden after Portugal’s Carnation Revolution of April 25, 1974 – brought diverse influences put forward with photography, video, performance, and computer media.

    Alvaro Seica - 04.09.2015 - 02:00