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1. OTTARAS: 3 CONCRETE - LONG RONG SONG, NAVN NOME NAME, kakaoase

   Projected on a grid of particles that at times seem ordered, while sometimes chaotic and always in flux, Ormstad's constructed language poetry is exposed and read by the author while performing to Mashtalir's pulsating music and Vojjov's atmospheric scapes in the first two works LONG RONG SONG and NAVN NOME NAME. The first is based on Ormstad's language research project from his second book of concrete poetry from 2004. Here he creates words that may exist or not in any language, and this is related to Vojjov's creation of numbers, geometric forms and abstract shapes. The second work is made from Ormstad's collection of poetic family names used in Oslo, Norway, also here accompanied by Vojjov's world of cosmic shapes. The last track, kakaoase, is based on a printed picture by Ormstad, made of sound poetry where he's playing with the Norwegian language. Most of the words have no – or almost no – meaning, and here Mashtalir's music makes this an exceptional possibility for participating and dancing to concrete poetry!

   Hannah Ackermans - 30.11.2015 - 10:21

2. O Experimentalismo como Invenção, Transgressão e Metamorfose: A PO.EX Revisitada Através de Po-ex.net

   O experimentalismo português iniciou-se na década de 1960, com um propósito comum de conferir ao acto poético valores artísticos, políticos e sociológicos assentes numa ruptura de vanguarda. O presente ensaio situa a intervenção experimental como invenção, transgressão e metamorfose, visto que perpassa as obras dos autores de "Poesia Experimental" e, mais tarde, de um novo conjunto de autores que exploraram a poesia visual, sonora, digital e a performance. Através do arquivo Po-ex.net, que documenta e dissemina o seu estudo, traçam-se dois itinerários, revisitando algumas das obras com carácter interventivo e transformativo, desde os anos 1960 até à actualidade.

   (Fonte: Resumo dos Autores)

   Alvaro Seica - 07.11.2016 - 17:36

3. Optische Poesie: Von den prähistorischen Schriftzeichen bis zu den digitalen Experimenten der Gegenwart

   Klaus Peter Dencker, visual poet, Germanist and media theorist, documents the spectrum of forms of optical poetry from its pre-historic beginnings up to the present digital age. The compendium provides a typology of optical poetry, an international historical overview with many illustrations and several chronological tables together with indexes of subjects and names providing access to the comprehensive apparatus of notes. (Source: https://www.degruyter.com/view/product/176646)

   Alvaro Seica - 10.02.2017 - 12:41

4. Introduction - Concrete Poetry: A World View

   Introduction - Concrete Poetry: A World View

   Ana Castello - 09.10.2018 - 15:17

5. Cosmic Chef: An Evening of Concrete

   Cosmic Chef: An Evening of Concrete

   Ana Castello - 13.10.2018 - 15:15

6. Interview David Daniels

   Interview David Daniels

   Ana Castello - 16.10.2018 - 16:46

7. Er/Sie: ein literarisches Internet-Projekt

   The digital project by Ursula Menzer and Sabine Orth is based on the book Er/Sie Vexus I-VII by Sabine Orth. They address “er” and “sie”, which is the German personal pronouns.

   Heidi Haugsdal Kvinge - 22.09.2021 - 13:16

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