Search

Search content of the knowledge base.

The search found 5 results in 0.01 seconds.

Search results

  1. To Be or Not To Be Mouchette

    Me, Mouchette, the online virtual character, I have an unusual status of existence. Regarding the art of my website (www.mouchette.org) I am the author and the creation at the same time, and yet through my remote internet life I remain invisible, anonymous, genderless, untouchable, neither alive or dead. Therefore participants of my interactive website confide in me in the most intimate way, as if were an imaginary being, living in their own head. Inside their own thoughts, no subject is taboo, fear, pain, life and death or even the temptation of suicide, and with me people feel free to talk about everything. With the reactions of the participants to my website I have composed animation films displaying many of the texts I received, spoken out by pixellated characters who tell their most private thoughts about their experience of surviving suicide, their own or someone else’s. My personality embraces all of my participant’s minds and together we form a collective consciousness pondering over questions of life and death in the digital era.

    David Prater - 24.10.2011 - 10:40

  2. Jig-Sound

    A work that explores interactive audio.

    Hannelen Leirvåg - 02.02.2013 - 13:45

  3. What They Speak When They Speak to Me

    Originally produced as an installation piece for large touchscreen monitors in 2007, this poem is now available as a free iOS App. The Speak app turns all the letters of the poems into a kind of letter cloud or constellation but with the letters hovering over their relative position. When you touch the screen and drag your fingertip across it, the poetic line is reconstituted from that point onwards, following the trail left by your finger’s movement, and fading back into the cloud when you lift your finger. This allows for readers to experience incomplete lines and incomplete words, depending on where you’ve touched in the sentence. Lewis engages this computational structure in his poem thematically, because it is about miscommunication across language, culture, and identity. The snippets of comprehension one gets when hearing speech in different languages are echoed in the poem’s structure.

    (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 08.02.2013 - 14:42

  4. Empty Thoughts for Real Life

    This minimalist piece takes a purely visual approach to language in a manner consistent with her other works. The panels only contain speech balloons, which are divested language, people, and context to represent purely abstract utterances.

    (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 15.02.2013 - 14:12

  5. Seen Death

    This poem takes on the coverage of the U.S. wars in Afghanistan and Iraq after the September 11, 2001 attacks particularly how by 2007 it seemed to have been somehow de-emphasized in the media. Zellen composes this piece out of newspaper headlines, data visualizations, iconic images, journalistic photography, text, and news media sound clips to make readers aware of the deaths that result from war and occupation. Slightly interactive, the reader triggers and ends scheduled sequences that display some of these materials in visceral ways that make it difficult to ignore the suffering. This multimedia hypertext is divided into three main sequences— “Death,” “Seen,” and “Extended Harmoniously—” and in all of them we see layered, stacked objects that contain language that has been remixed to produce newly readable poetic texts.

    (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 15.02.2013 - 14:21