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1. Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995

   In this book, the author, Chris Funkhouser provides a comprehensive historical, descriptive, and technical account of early works of computer-assisted poetry composition. Focusing on examples of digital poetry before the world wide web rather than on literary precursors to web experiments. Funkhouser demonstrates how technological constraints that would seemingly limit the aesthetics of poetry have instead extended and enriched poetic discourse. As a history of early digital poetry and a record of an era that has passed, this study aspires both to influence poets working today and to highlight what the future of digital poetry may hold. The book is divided into five different sections: origination, visual and kinetic design poems, hypertext and hypermedia, alternative arrangements and techniques enabled.

   Patricia Tomaszek - 24.02.2011 - 11:32

2. Writing Space: The Computer, Hypertext, and the History of Writing

   From the publisher:

   This second edition of Jay David Bolter's classic text expands on the objectives of the original volume, illustrating the relationship of print to new media, and examining how hypertext and other forms of electronic writing refashion or "remediate" the forms and genres of print. Reflecting the dynamic changes in electronic technology since the first edition, this revision incorporates the Web and other current standards of electronic writing. As a text for students in composition, new technologies, information studies, and related areas, this volume provides a unique examination of the computer as a technology for reading and writing.

   Original publication date: 1991, published by Laurence Erlbaum Associates, Hillsdale, New Jersey.

   Patricia Tomaszek - 28.02.2011 - 11:48

3. Digital Poetics: The Making of E-Poetries

   In this revolutionary and highly original work, poet-scholar Glazier investigates the ways in which computer technology has influenced and transformed the writing and dissemination of poetry. In Digital Poetics, Loss Glazier argues that the increase in computer technology and accessibility, specifically the World Wide Web, has created a new and viable place for the writing and dissemination of poetry. Glazier's work not only introduces the reader to the current state of electronic writing but also outlines the historical and technical contexts out of which electronic poetry has emerged and demonstrates some of the possibilities of the new medium. Glazier examines three principal forms of electronic textuality: hypertext, visual/kinetic text, and works in programmable media. He considers avant-garde poetics and its relationship to the on-line age, the relationship between web "pages" and book technology, and the way in which certain kinds of web constructions are in and of themselves a type of writing. With convincing alacrity, Glazier argues that the materiality of electronic writing has changed the idea of writing itself.

   Eric Dean Rasmussen - 16.03.2011 - 12:55

4. The Postmodern Condition: A Report on Knowledge

   The Postmodern Condition: A Report on Knowledge

   Eric Dean Rasmussen - 06.07.2011 - 17:35

5. Hypertext: The Convergence of Contemporary Critical Theory and Technology

   Linking post-structuralist theory and developments in hypertext text technology, Hypertext: The Convergence of Contemporary Critical Theory and Technology was for many the definitive work on hypertext during the 1990s and established hypertext as a field of serious critical discourse. 

   CONTENTS

   1. Hypertext and Critical Theory

   Hypertextual Derrida, Poststructuralist Nelson?
   The Definition of Hypertext and Its History as a Concept
   Other Convergences: Intertextuality, Multivocality, and De-Centeredness
   Vannevar Bush and the Memex
   Virtual Texts, Virtual Authors, and Literary Computing
   The Nonlinear Model of the Network in Current Critical Theory
   Cause or Convergence, Influence or Confluence?
   Analogues to the Gutenberg Revolution
   Predictions

   2. Reconfiguring the Text

   Eric Dean Rasmussen - 01.09.2011 - 14:20

6. Writing Space: The Computer, Hypertext, and the History of Writing

   This book is a study of the computer as a new technology for reading and writing -- a technology that may replace the printing press as our principal medium of symbolic communication. One of the main subjects of Writing Space is hypertext, a technique that allows scientists, scholars, and creative writers to construct texts that interact with the needs and desires of the reader. Bolter explores both the theory and practice of hypertext, demonstrating that the computer as hypertext represents a new stage in the long history of writing, one that has far-reaching implications in the fields of human and artificial intelligence, cognitive science, philosophy, semiotics, and literary theory.

   Scott Rettberg - 06.09.2011 - 11:54

7. Aufschreibesysteme 1800, 1900

   Als Aufschreibesystem bezeichnet Kittler in seiner Medientheorie primär technische Einrichtungen, die dem Speichern von Daten dienen, aber auch „das Netzwerk von Techniken und Institutionen […], die einer gegebenen Kultur die Adressierung, Speicherung und Verarbeitung relevanter Daten erlauben“

   Mediengenealogish unterscheidet Kittler dabei vor allem drei Phasen, die er als Aufschreibesysteme 1800 und 1900 bezeichnet. Die nachfolgende Phase, die man vielleicht als "Aufschreibesystem 2000" bezeichnen könnte, blieben bei Kittler ohne Namen.

   Jill Walker Rettberg - 29.06.2013 - 23:31