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1. Od żył przez pędzel do hipertekstu: O Czarnych jagodach Susan Gibb

   Od żył przez pędzel do hipertekstu: O Czarnych jagodach Susan Gibb

   Patricia Tomaszek - 02.02.2012 - 20:44

2. Wszyscy jesteśmy cyborgami

   Wszyscy jesteśmy cyborgami

   Patricia Tomaszek - 02.02.2012 - 22:01

3. Review of Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations, by Chris Funkhouser

   Review of Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations, by Chris Funkhouser

   Patricia Tomaszek - 13.02.2012 - 00:53

4. Focalization and Digital Fiction

   Focalization and Digital Fiction

   Eric Dean Rasmussen - 24.09.2012 - 07:23

5. Electronic Literature Communities, Part I

   Editorial to the first special issue on Electronic Literature Communities, in Dichtung Digital 41. 

   Patricia Tomaszek - 07.12.2012 - 12:00

6. Anti-Spam: Reinventing Data

   Today, where information is continually transferred in the form of data, the word “information” has all but been exchanged for the word “data.” This shift of terms has aided in effectively transforming the world into a network-world of data. In many areas, and for many professionals, condensing information has become an almost exclusive preoccupation. This need to condense information through selecting and summarizing events—via the use of statistics, infography, visualization software, reports, databases, and animations—has dominated our mental landscape; it dominates the way we structure our perception of reality. Therefore, it is important to rethink what this phenomenon represents and how artists are responding to it. In this network-world of data, spam (which is unsolicited e-mail or electronic data sent en mass) has become one of the symbols representing the flux of disinformation, and/or unsolicited, information. Anti-spam is, therefore, a method of eliminating and screening the source data, a tool I call impedance. If we apply this point of view to contemporary art, we could consider the works of Pavel Braila, R.

   Jill Walker Rettberg - 15.02.2013 - 13:56

7. Communities/Commons: A Snap Line of Digital Practice

   “Communities/Commons: A Snap Line of Digital Practice” presents a brief history of digital poetry, from the perspective of the Electronic Poetry Center (EPC), Buffalo, and the international E-Poetry Festivals of digital literature, art, and performance (E-Poetry). The paper engages the discipline from various perspectives, considering its relation to historic contextualizing movements and institutional mechanisms. Determining a renewed vision of E-Poetry community, it is argued, are its exuberant origins: (1) the U.S. small press movements of the later Twentieth century; (2) the activities and philosophies of the Electronic Poetry Center; (3) its self-definition as more broadly-conceived than that of any specific category of digital literature; (4) the pre-existing literary ground of Black Mountain, Language Poetry, and related practices; (5) the vibrancy of the as-then-constituted Poetics Program at Buffalo, and; (6) a “symposium of the whole”, the continued emerging importance of enthnopoetic localizations to an eventual realization of contemporary poetics. Finally, a call is made for the field being adaptable and more generous with its frames of reference.

   Patricia Tomaszek - 29.04.2013 - 15:57

8. Digital Manipulability and Digital Literature

   Digital Manipulability and Digital Literature

   Jill Walker Rettberg - 25.09.2013 - 12:51

9. “I Want to Say I May Have Seen My Son Die This Morning”: Unintentional Unreliable Narration in Digital Fiction

   “I Want to Say I May Have Seen My Son Die This Morning”: Unintentional Unreliable Narration in Digital Fiction

   Jill Walker Rettberg - 25.09.2013 - 12:58

10. Autoauthor, Autotext, Autoreader: The Poem as Self-assembled Database

    This article contains an introduction to contemporary Portuguese electronic literature, focusing on works by Rui Torres. Starting from texts by other 20th-century authors, Rui Torres’ generative works recode their source texts by opening up their syntax and semantics to digital materiality and programmed signification. Randomized algorithms, permutational procedures
    

    Alvaro Seica - 25.10.2013 - 13:15

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