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1. l0ve0ne

   L0ve0ne (Eastgate Web Workshop) was first told as an additive social networked story, on the Interactive Conference on Arts Wire, beginning in the fall of 1994. Each lexia was posted as a separate entry on the conferencing system. Portions of L0ve0ne were ported in different forms in servers all over the country, including the Arts Conference on The WELL. The story integrates hacker culture, early Internet technologies, a German "road trip"; and a love story that continues in Malloy's The Roar of Destiny.  The first person is used, as it is in many of Malloy's other works, as a narrative device that not only effects the telling, in that it allows the writer to disclose the details of the main character's life in an intimate way, but also effects the reading, in that it situates the reader directly in the main character's life and environment.

   Eric Dean Rasmussen - 14.03.2011 - 11:37

2. I Have Said Nothing

   This hypertext narrative includes two fatal car crashes. The plot of this story motivates its readers to navigate their way through the story of loss, death, and media. This chilling story also encourages the readers to a chaotic retrospective thinking and reflection.
   With the use of hypertext links, the plot only progresses by the help from its readers through active participation and the choices they make with the point-and-click system

   Jill Walker Rettberg - 28.07.2011 - 14:42

3. The Electronic Chronicles

   An imagining of an electronic compendium of the archives of an ancient civilization.

   Scott Rettberg - 19.01.2013 - 17:18

4. Socrates in the Labyrinth

   Socrates in the Labyrinth is a wide-ranging exploration of the relationships between hypertext, thought, and argument. Does hypertext present alternatives to the logical structures of if-then, claim and support? Is hypertext a mere expository tool, that cannot alter the essence of discussion and proof? Or is hypertext essentially unsuited to rigorous argument?

   Kolb's discussion is a nuanced, creative approach to these and other questions. Kolb points up the history of nonlinearity in philosophical work, from the Socratic dialogues through Hegel, and the variety of forms that philosophical discussion can take. Kolb's discussion -- and the structures of Socrates itself -- show that hypertext is not only a "super-encyclopedia" that leaves the essence of argument unchanged. But his keen understanding of both hypertext and postmodernism also shows that the relation between hypertext and "the end of the text" is more complex than is sometimes claimed. Socrates in the Labyrinth embodies several hypertext structures showing possibilities for writing and thought in the new medium.

   (Source: Eastgate Systems Inc., catalogue copy)

   Scott Rettberg - 26.06.2013 - 12:53

5. My Name is Scibe

   Collaborative hypertext by Judy Malloy and others, originally written on The WELL.

   Jill Walker Rettberg - 02.07.2013 - 13:36

6. Psevdoglubokomyslennye pykhteniya pravdolyubtsa-psevdoistorika

   Psevdoglubokomyslennye pykhteniya pravdolyubtsa-psevdoistorika

   Natalia Fedorova - 16.07.2013 - 14:20

7. Quam Artem Exerceas?

   Quam Artem Exerceas? (Latin for "what do you do for a living?") refers to a question the physician Bernardino Ramazzini, also known as "the father of occupational medicine", often asked his patients to identify work-related causes of diseases they presented with. The work is a scholarly hypertext essay that represents aspects of scientific historiography and aims for maximum scholarly clarity and cohesion.

   With the use of a navigation pane on the left side of the screen, users can traverse the different contextual sections of the treatise easily and can learn about enlightenment thought, early industrial inventions, and early modern litterature art.

    

   Vegard Aarøen Frislid - 01.10.2021 - 19:49