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1. We Descend: Archives Pertaining to Egderus Scriptor, Volume Two

   Every writing addresses someone; this someone is often said to be the author's Ideal Reader. But "ideal" connotes a conceptualized, even perpetrated entity that is an entirely different creature from the real person one addresses when speaking. Now it may be useful to make this distinction in order to discuss, in the abstract, the *process* of writing, but the *practice* is wholly different: in writing anything, you address a real person, and, by addressing, conjure that person into your presence — the "materiality" of this being is, well, immaterial. When a real reader (in contrast to an ideal one) takes up an author's writing, she encounters not a voice speaking to *her*, or not to her directly: she comes in on a conversation already in progress, between the author and the person he is addressing in the writing. Given a sense of the occasion she has just joined, she will wisely keep still at first and pay attention, not just to the author's voice, but also to the silence of the other person listening to him at that moment. Thus she comes to know them both.

   Eric Dean Rasmussen - 14.06.2012 - 16:09

2. Arriving Simultaneously on Multiple Far-Flung Systems

   Beginning with punch cards, an IBM1130 computer, FORTRAN, and space exploration in the late 1960’s, Arriving Simultaneously on Multiple Far-Flung Systems is a virtual reading machine, created/recreated with JavaScript in a HTML/CSS structure and read “on-the-fly”. With a complex array of randomly-generated texts, the work mirrors the life of Diana, an early aerospace information retrieval programmer, who later worked to bring community networking to rural and urban areas. The gap between the acceptance of women programmers who worked — not only during WWII but also in the decades after WII — and the current dominance of men in the field, is core to this narrative of one woman’s journey through an environment of changing technologies.

   (Source ELO 2018.)

   Maelle Asselin - 05.09.2018 - 09:01

3. Synthetic Empathic Intelligent Companion Artefacts (SEICA) Human Interaction Labs

   Synthetic Empathic Intelligent Companion Artefacts (SEICA) Human Interaction Labs' (seicalabs.org) is a speculative transmedia narrative and a 12 personae multimedia performance art project. The work attempts to thematically bridge concepts and creative processes employed within the fields of art, science and technology through hypertext fiction and on/offline storytelling. Positioned as a faux virtual organization, SEICA Human Interaction Labs is manifested through its online activities. Operated by a team of personae, the organization produces multimedia research works that reflect on how overhyped media portrayals and oversimplification of information package the modern perception towards scientific discovery and technological innovation. Blending and bending technocultural themes through tropes found in popular culture and internet vernacular, the fictive organization’s cybernetic researchers strive to orchestrate chaos and generate questions that critically engage with near-real-time discourses on human interaction in the age of companion robots.

   Jana Jankovska - 26.09.2018 - 15:25