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  1. The Ballad of Workstudy Seth

    This Twitter based netprov collected under a title headed by the word “ballad” provokes thought on the relation between this fictional piece and this ancient poetic form. The ballad, a form rooted in oral tradition, was often about sensational, comic, and tragic events and served as a conduit for stories from one region or time to another. With the invention of print, the broadside ballad reinforced the tradition of spreading news in poetic form. The fictional narrative of Workstudy Seth and how he took over Marino’s Twitter account was told during a 3-month period in 2009 and is compiled in a single HTML page— kind of a Web broadside. The language, though prosaic and loaded with netspeak, is governed by a 140-character per Tweet constraint, which leads to a poetic compression similar to that which governs many lines of verse. Sure, its meter isn’t governed by number of accents, syllables, or feet but it does have a shape, which leads to distinct ways to unfold the story. Read each distinct voice as it shifts from one character to another and enjoy how the mischievous Seth refuses to be silenced.

    (Source: Leonardo Flores)

    Helene Helgeland - 29.10.2012 - 14:56

  2. @crashtxt / exq=.s.te =n.c&de/s

    This work consists of a web page with a selected unicode keyboard that allows people to enter symbols into a text submission box which can then be posted to Twitter under the @crashtxt account. Jim Punk is an alias for an anonymous net artist whose work embodies glitch aesthetics and pictorial uses of language and characters, as seen in ascii art. To be precise, this work is a tool for unicode art, strapped on to a social network as a mode for publication, but also as a constraint. It is also an invitation for errors, since compatibility and support for certain Unicode characters vary on different operating systems and browsers. To use this work to write texts for publication in Twitter is to engage a basic component for digital communication: the encoding of writing and its associated symbols in computational environments, which aligns it with some of the goals of Lettrisme. (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 07.05.2013 - 18:43

  3. Tweet Haikus

    This bot data mines a 1% sample of the public Twitter stream to identify tweets that could be considered haiku. It then republishes the result, formatting it as can be seen above, and retweets the original in its Twitter account. The page the haikus are published in uses random background images of nature, a nod towards the seasonal reference so valued in this poetic tradition. (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 09.05.2013 - 21:04

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