Search

The search found 2 results in 0.009 seconds.

Search results

1. slippingglimpse

   In slippingglimpse, we model a ring in which the roles of initiator, responder, and mediator are taken by all elements in turn. Our mantra for this: water reads text, text reads technology, technology reads water, coming full circle. Reading then comes to mean something different at each stage of the poem, in all cases involving sampling. Ryan reads and captures the image of 'chreods' (dynamic attractors) in water. Strickland's poem text, by sampling, appropriating, and aggregating artists' descriptions of processes of capture, reads this process of capture. And the water reads, via Lawson Jaramillo's motion-capture coding, by imposing its own sampled pattern. A variety of reading experiences are enabled: reading images while watching text; reading in concert with non-human readers, computer and water; reading frame breaks (into scroll or background); or reading by intervening. For instance, reversibility and replay are available on the scroll, as are reading in the direction and speed you wish; while, in the water, regeneration of text is available, as are unpredictable jostling and overlays.

   Eric Dean Rasmussen - 31.01.2011 - 13:07

2. MATTERS, Electromagnetic Poems

   Artist’s Statement:
   When materials that support texts change, the content could be affected. This installation is a physical reflection on how the materiality could affect the text.
   From ceramic tiles to displays, each new supporting material has opened new possibilities for writing.
   MATTERS, seeks to write through the manipulation of electromagnetic fields with new raw materials instead of the screen.
   Sensitive components to these fields will be placed on three acrylic drawers (45 x 30 x 15 cm). Each drawer allows different reading times, interactions and experiences.
   (Source: http://elo2016.com/jose-aburto-olezzi/)

   Susanne Dahl - 18.10.2016 - 17:17