Search

The search found 12 results in 0.009 seconds.

Search results

1. 4079

   a poem written in a country distant from permanent residence, distance is obvious

    

   Interactive poem 4079 is programmed in Processing using JavaScript. Both text and graphic user interface bring the theme of distance, moving between conditions, it questions connectedness and separation, physical and psychical proximity, remoteness and attachment. Poetics of the piece lies in the perception of individual lines of the poem as well as in interacting

   online cialis canadian pharmacycialis insomnia

   with the dynamics of the dots and their layers. There is no set sequence of reading, so the beginning and the end may be any of the eleven

   Dan Kvilhaug - 14.03.2013 - 12:09

2. Walking Blues Changes Undersea

   Note from editor: Date is estimated. Cannot find work online.

   Jill Walker Rettberg - 03.07.2013 - 11:20

3. ASCII History of Moving Images

   ASCII versions of familiar films.

   Jill Walker Rettberg - 04.07.2013 - 12:05

4. Office Politics

   Demo text world in the Oz Project where the player is involved in backstabbing office politics. Emotional and social characters for interactive drama were a key aim.

   Jill Walker Rettberg - 29.08.2013 - 15:10

5. La belle Zohra

   Early French graphic nteractive fiction.

   Jill Walker Rettberg - 29.08.2013 - 16:06

6. Les yeux

   Les yeux

   Jill Walker Rettberg - 29.08.2013 - 16:14

7. Poemas no Meio do Caminho: Poesia Combinatória Animada por Computador

   Poemas combinatórios e generativos, programados de modo a permitir ao leitor alterar dinamicamente, em tempo de execução, os paradigmas que alimentam a sintaxe original; Som gerado aleatoriamente a partir de bases de dados previamente gravadas, com vozes e texturas sonoras; Além de alterar o poema, o leitor pode guardar as suas versões/leituras num weblog disponível na Internet. Duas versões disponíveis (versão horizontal e versão vertical) dão aos leitores a possibilidade de navegar entre distintas tipologias de página: em modo de panorama ou em modo de página html: A versão horizontal (panorama) inclui video, permite ao leitor alterar as palavras e enviar para weblog; A versão vertical (html) permite ao leitor alterar as palavras, alterar as listas e enviar para weblog.

   (Source: http://edicoes.ufp.pt/product/humanidades/poemas-no-meio-do-caminho-poes...)

   Alvaro Seica - 14.10.2013 - 13:09

8. Halfway Through

   text captured from Python program running halfway_loop.py, code modified to fit on page # Halfway Through by Natalia Fedorova code is a remix of Through the park by Nick Montfort

   J. R. Carpenter - 31.05.2014 - 12:06

9. Tavs

   This manga-inspired graphic novel app is about thirteen-year-old Tavs, who chooses his name (meaning “silent”) when he writes a declaration to his parents: “From now on I will be silent”. The story is about the loneliness and loss Tavs feels upon the death of his twin and his family’s move to Tokyo. TAVS is a fantasy narrative with gothic, humorous and boy-meets-girl elements and references to haiku and manga. The app mixes text, music, still images, sound effects and animation into an immersive aesthetic experience. For example, as we read of Tavs’ sorrow and frustration the words begin to fall down from the screen and the reader has to take an active part in the reading process by grabbing the sentences. The chapters show great variation, operating between expressive powerful animations and stills and black pages, between strong sound effects and silence and between spoken and written words, right up to the final fight between the twins; between life and death. (source: ELO 2015 catalog)

   Jill Walker Rettberg - 17.09.2014 - 15:47

10. 1/2/3

    1/2/3 is an elliptical videopoem based on Russian minimalist poet Vsevolod Nekrasov’s “Utopia” and footage from Mozhaysky region of Moscow. Each time three random photos containing a space where a text could appear are shown at three interactive screens. Being touched each photo transforms to video where one out of ten lines of Nekrasov’s poem appears. The viewer never knows which of these evasively poetic lines were documented or added with digital tools. (ELO 2015 catalog)

    Hannah Ackermans - 12.09.2015 - 11:33

Pages