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1. Trope

   Trope creatively intervenes in the ways that readers engage with literary texts by creating a virtual environment that is conducive to and assists the experience of reading the poetic text. The physicality of the text itself is key. Poems and short stories are repositioned rather than illustrated in spatialized, audio and visual format/s not possible in “real” life. In the trope landscape, Second Life users can negotiate their own paths through each creative environment and for example, fly into a snowdome, run through a maze in the sky, listen to a poem whispered by a phantom pair of dentures, or stumble upon a line of dominos snaking around the bay. Trope aims to expand writing networks and further develop the virtual literary community.

   (Source: Auithor's description from Electronic Literature Collection, Volume Two)

   Scott Rettberg - 09.12.2010 - 01:12

2. slippingglimpse

   In slippingglimpse, we model a ring in which the roles of initiator, responder, and mediator are taken by all elements in turn. Our mantra for this: water reads text, text reads technology, technology reads water, coming full circle. Reading then comes to mean something different at each stage of the poem, in all cases involving sampling. Ryan reads and captures the image of 'chreods' (dynamic attractors) in water. Strickland's poem text, by sampling, appropriating, and aggregating artists' descriptions of processes of capture, reads this process of capture. And the water reads, via Lawson Jaramillo's motion-capture coding, by imposing its own sampled pattern. A variety of reading experiences are enabled: reading images while watching text; reading in concert with non-human readers, computer and water; reading frame breaks (into scroll or background); or reading by intervening. For instance, reversibility and replay are available on the scroll, as are reading in the direction and speed you wish; while, in the water, regeneration of text is available, as are unpredictable jostling and overlays.

   Eric Dean Rasmussen - 31.01.2011 - 13:07

3. Radial City

   Processed video, collaboration between artist and poet.

   Scott Rettberg - 02.03.2011 - 22:25

4. Tao

   Tao

   Eric Dean Rasmussen - 21.04.2011 - 12:25

5. Three Rails Live

   “Three Rails Live” (2011) by Roderick Coover, Nick Montfort, and Scott Rettberg is an experiment in combinatory poetics, a generative system that results in the production of short narrative videos, stories with a moral to them. 

   Eric Dean Rasmussen - 24.04.2012 - 12:20

6. Katastrofetrilogien

   Katastrofetrilogien is a trilogy centered on themes of how stories of historic disasters impact contemporary conversations and relationships. Collaboratively and organically constructed, these three films call upon histories of deadly volcanic ash, great floods, and the plague to tell stories of present day longing, anxiety, and environmental change.

   "The Last Volcano / Det siste utbruddet"
   A story of a catastrophic volcanic eruption and its aftermath is retold by a woman to a man before the slowly turning image of contemporary urban landscape. Though the story seems to reference events of the distant past, its setting and telling raise anxieties related to cycles of memory and forgetting.

   Direction: Roderick Coover
   Writing: Scott Rettberg
   Translation by: Daniel Apollon, Gro Jørstad Nilsen, and Jill Walker Rettberg
   Voices: Gro Jørstad Nilsen and Jan Arild Breistein

   Eric Dean Rasmussen - 15.06.2012 - 15:50

7. (Dis)Location, (Dis)Connection, (Dis)Embodiment

   (Dis)Location, (Dis)Connection, (Dis)Embodiment" is a collective experiment in database video and random access narrative. The installation is the work of many artists, each responsible for thirty seconds of video attempting to engage with paradoxes of digital culture and 21st. This is a collaborative project with Edgar Endress and the Students of the Art and Visual Technology Department at George Mason University. 

   Scott Rettberg - 09.01.2013 - 23:01