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  1. A Dictionary of the Revolution

    A Dictionary of the Revolution documents the rapid amplification of public political speech following the uprising of 25 January 2011 in Egypt.

    Material for the Dictionary was collected in conversations with around 200 individuals in Egypt from March to August 2014. Participants reacted to vocabulary cards containing 160 words that were frequently used in political conversation, talking about what the words meant to them, who they heard using them, and how their meanings had changed since the revolution.

    The Arabic website contains 125 imagined dialogues woven from transcription of this speech.

    Each word is accompanied by a diagram that shows its relationship to other words in the Dictionary. The thicker the line connecting two words, the closer their relationship is. The diagrams are the result of an analysis of the complete text of the Dictionary.

    (Source: About-page website)

    A Dictionary of the Revolution was the winner of the 2018 New Media Writing Prize.

    Hannah Ackermans - 25.03.2019 - 14:24

  2. Vocable Code

    Vocable Code is both a work of “software art” (software as artwork, not software to make an artwork) and a “codework” (where the source code and critical writing operate together) produced to embody “queer code”, examining the notion of queerness in computer coding through the interplay of different human and nonhuman voices. Collective statements and voices complete the phrase “Queer is…” and together make a computational and poetic composition. Through running Vocable Code on a browser, the texts and voices are repeated and disrupted by mathematical chaos, creating a dynamic audio-visual literature and exploring the performativity of code, subjectivity and language. Behind but next to the executed web interface of Vocable Code (13082018), the code itself is deliberately written as a codework, a mix of a computer programming language and human language, exploring the material and linguistic tensions of writing and reading within the context of (non)binary poetry and computer programming.

    Trygve Thorsheim - 13.09.2019 - 11:01