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  1. Skogen

    Skogen

    Scott Rettberg - 03.11.2012 - 17:50

  2. Taroko Gary

    Another take on Taroko Gorge by Nick Montfort. Leonardo Flores uses some of Gary Snyder's words from "Endless Streams and Mountains".

    Hannelen Leirvåg - 28.02.2013 - 19:24

  3. Trickle

    This performance of Piringer’s video poem “Broe Sell” extends the Lettrist dynamics occurring on screen onto the stage and the dancers. There are two significant props: a white sheet on the ground that may represent a page or screen surface, and a constant trickle of little crumpled pieces of paper falling on a spotlit space in the front of the stage. The dancers act like letters— or better said, letters placed in Piringer’s hand, which leads them to behave much differently from what we’re used to seeing on page or screen. In synch with the music and displayed video poem, the letter-dancers cluster and disperse, articulate their joints, collapse, rise again, and gaze time and again at the paper trickle.

    Choreography: Kristina Merrill
    Poetry: Joerg Piringer (“Broe Sell”)
    Dancers: Jenny Alperin, Andrea Fitzpatrick, Kara Hodges, Stephanie Ohman, Lexi Julian

    (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 03.05.2013 - 18:02

  4. In a World Without Electricity

    This is a true story about the untimely death of someone close to the speaker, who seeks to reconstruct the story of her death in a way that can provide closure and hopefully justice. It is also a reflection on analog and digital storytelling and the objects that hold these stories.

    The work’s interface displays each portion of this linear narrative as a kind of slideshow, sequentially presenting each piece of the argument and evidence in a way that makes a compelling and moving. In tune with its media, it is very “electric” with plus and minus symbols on the sides of the slideshow (in the shape of a battery) that serve as a navigation interface. The electricity in the title, the battery, shaped interface, the line of ooooooo’s at the base of the slides— which indicates one’s position in the narrative, all seem to symbolically suggest the energy required in a assembling materials and evidence to put together a compelling narrative, one that might lead to an official investigation.

    (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 07.05.2013 - 16:15

  5. How They Brought the News from Paradise

    This narrative poem tells the mock-heroic adventures of an unlikely antihero on an imaginary quest. As Bigelow describes the piece,

    In “How They Brought the News from Paradise to Paterson,” a first-person speaker narrates his story (in heroic verse) as he swims from one end of a resort pool complex to another in search of what he thinks is more alcohol, but is in fact a journey to find his marriage
    and himself. The poem plays with the epic and tragic within a setting stifled with consumerism and class separation.

    The poem is structured as the monomyth, in which the speaker, while lounging at the Paradise pool bar in a 5-star resort in Barbados, overhears what he interprets as a call to adventure: the bar has run out of rum. Taking upon himself to embark upon a journey through the pool complex to find the god-like Concierge at the far end, whose “sage advice / and quick, imperious commands” would restore the flow of rum in Paradise.

    Hannelen Leirvåg - 07.05.2013 - 16:30