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1. LYMS

   In the video lyms (which is a non-semantic word), I have solved the question of translation in a special way: words in different languages like spanish, french, german, english and scandinavian are put together.  None of them have the same meaning, the viewer may just taste on the words.  In the first part of the video all the words are starting with f.  In the beginning the f's are exposed in a way they constitute different pictures. The system of the expositions are based on how I made concrete poetry in the sixties. Instead of repeating them differently line by line, the new technology allows me to expose them differently through time.  Then more and more letters are shown, until all the words are exposed.

   Each viewer will have a different experience dependent upon their language background, and the ability to enjoy the poetic combination of the words and the visuality together with the music.  

   Patricia Tomaszek - 12.01.2011 - 18:22

2. Ingenstans

   "Ingenstans (meaning "nowhere" in Swedish) is a video project about living between languages, trading American city life for village life in Sweden, or somewhere, nowhere. As a whole, the film could be taken as a (quasi-)ethnographic film, combining elements of documentary film with narrative film, spurious accounts of cultural icons, and reenactments of actual events. INGENSTANS was shot in Karlskrona Sweden, Copenhagen, Paris, Amsterdam, and California. The video is in English and Swedish with fleeting moments in Bulgarian, Italian, French, and Chinese. (running time 20 minutes)" (http://talanmemmott.com/video.html).

   Eric Dean Rasmussen - 21.01.2011 - 12:15

3. The Precession

   The Precession is a data-driven networked poem being developed simultaneously as both a large-scale installation and live performance. The work makes use of original writing and real-time data collection to create visual-poetic arrangements based on inquiries into architecture and the night sky. The piece mixes databased sources, real-time interruptions, and algorithmic composition in an evolving ecology.

   The Precession considers as a primary source Oskar J.W. Hansen's sculpture Winged Figures of the Republic permanently installed at the Hoover Dam. Hansen's 1935 work commemorates the building of the dam and includes a complex celestial map. Beginning with the date of the dam's dedication, the map contains the data for someone skilled in astronomy to accurately trace the position of the polestar each subsequent night for the next 26,000 years.

   The online work, in its current state of development, is mainly time-based taking approximately 20 minutes (with links to individual areas also accessible).

   Eric Dean Rasmussen - 24.01.2011 - 17:46

4. PROTOMIR

   НЕЙРОАТАКА АНИМА МАГНИТ АЛГОРИТМА АТМА ЭМБРИОХАЙТЕК ПРОТОРОБОТЕК Тайна вселенной зашифрована в звуки и образы, в магическую книгу-мистерию о загадках творения и вселенной. ПРОТОТОРОИД. Электронная каббала корнесловий, саунд дизайна и видеоряда. Ее чтение/слушание/созерцание требует восприятия ряда уровней звуков, смыслов и образов. Тайны взаимоотношений между вещами в природе, между планетами в небесных сферах, между людьми и демонами внутри и снаружи них сложены в ритмы внелинейного изначалья заузорья, которые необходимо дешифровать. Оптика ПРОТОТОРОИДА с помощью малой вселенной себя позволяет рассматривать большую вселенную галактики. ЗА СПЕКТРАМИ ИЗ КРАСНЫХ ОБЛАКОВ ВСЯ ГОРЕЧЬ ПРЕВРАТИЛАСЬ В СЛАДОСТЬ Всякое искусство стремится быть музыкой, всякая мысль стремиться стать энергией. Древний символ - змея, которая кусает себя за хвост – представляет собой замкнутый круг, но при этом, незаконченный: съедая себя, она поддерживает статичную систему мироздания. МЫ ЕЛИ МИР ДРУГ ДРУГА РАДУГ Тор, - трехмерная фигура, вытянутая полусфера, геометрический аналог змеи, кусающей себя за хвост, - суть фундаментальная форма бытования энергии.

   Natalia Fedorova - 07.02.2013 - 18:15

5. Cthalloween

   This Twitter based netprov was organized, launched, and led by a transmedia storytelling guru, responsible for numerous similar events in entertainment media. It arises out of a pun, and a fascination with H.P. Lovecraft’s Cthulu stories, famous for their mythos, iconography, and verbal style. This alternate reality game is fascinating to reconstruct 3 years after the event because of the challenge in capturing such a distributed event it was documented in a variety of Web services and pages that are no longer available, except through services like the Internet Archives.

   Leonardo Flores - 11.03.2013 - 20:36

6. Debasheesh Parveen and Ariadna Alfil

   These two “Facebots” (Facebook bots) were created in the last days of 2009 and quickly began to make friends, post images, and make cryptic status updates, commenting on each other’s updates. They started a relationship on January 13, 2010 and got married (that is, changed their relationship status to “married” on Facebook) on March 21, 2010. Ever since they have both been making status updates automatically every hour, (Ariadna every 2 hours) using the algorithm described below:

   Debasheesh Parveen is one of the 99 Sacred Names of the Internet. It is also an algorithm:

   1. Debasheesh Parveen takes a random news headline from the Al Jazeera feed.
   2. The headline is distorted using a text-manipulation algorithm.
   3. One of the words of the headline is chosen to search for an image on the Internet.
   4. The headline and the image are posted to Debasheesh Parveen’s Facebook profile.

   This happens automatically, at regular intervals.

   Quoted from I ♥ E-Poetry entry and Tisselli's description.

   Leonardo Flores - 12.03.2013 - 18:14

7. georgelazenby

   This Twitter account is part of an artistic and literary performance in social media.

   Hannelen Leirvåg - 08.04.2013 - 14:47

8. The 24-Hr. Micro-Elit Project

   The 24-Hr. Micro-Elit Project experiments with microfiction, or flash fiction, a genre of literature that generally entails narratives of only 300-1000 words. Inspired by Richard Brautigan’s pithy “The Scarlatti Tilt”, a story of only 34 words published in 1971, my work involves 24 stories of 140 characters or less about life in an American city in the 21st C. delivered––or “tweeted”––on Twitter over a 24 hr. period.

   The launch date was Friday, August 21, beginning 12 a.m. PST. Each hour until 11 p.m., I posted a story, and followers of my twitter site were encouraged to tweet their own. After followers tweeted their stories, I cut and pasted them to the Project Blog. An archive of all of the stories can be found there.

   Scott Rettberg - 11.04.2013 - 12:39

9. The River Dart

   This poetic performance on Twitter is a series of observations focused on the Dart river and its environs in Devon, England. The earliest tweets on this account, which started on November 19, 2009, focused on the practicalities of walking along the river, and rapidly settled into a language based study of the river and its environs. The tweets exhibit a curious mixture of subjective and objective perceptions, writing from a very personal perspective without falling into Romanticism. It is more like Olson’s dictum that “ONE PERCEPTION MUST IMMEDIATELY AND DIRECTLY LEAD TO A FURTHER PERCEPTION,” but captured and delivered over time via Twitter. (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 07.05.2013 - 18:39

10. @WPoundstone

    On May 21, 2009, following his publisher’s suggestion, William Poundstone started his Twitter account. He seemed unsure what to do with it, as evidenced by his second tweet (a month later), in which he described himself as “an impostor pretending to be a Twitter user.” Two tweets later, on August 9, 2009, he found the concept and constraint that was to shape how he used his Twitter account and made his tweeted: “Anagram Movie Review: INGLOURIOUS BASTERDS = GO INSULT SERIOUS BRAD.” Three and a half years and 785 tweets later, he is still going strong with this idea, only occasionally varying it with a retweet or posting on a topic of his interest. The idea has several layers of complexity. Movie titles are pithy to begin with, attempting to evoke an entire work, including plot, themes, and tone with just a few words. Poundstone then applies the ancient constraint of the anagram to shape his critique of the film. A further limit he places comes from beginning each tweet with “Anagram Movie Review: ” which takes up 21 characters of the 140 allowed by Twitter. (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 07.05.2013 - 19:12

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