Search

The search found 19 results in 0.01 seconds.

Search results

1. LYMS

   In the video lyms (which is a non-semantic word), I have solved the question of translation in a special way: words in different languages like spanish, french, german, english and scandinavian are put together.  None of them have the same meaning, the viewer may just taste on the words.  In the first part of the video all the words are starting with f.  In the beginning the f's are exposed in a way they constitute different pictures. The system of the expositions are based on how I made concrete poetry in the sixties. Instead of repeating them differently line by line, the new technology allows me to expose them differently through time.  Then more and more letters are shown, until all the words are exposed.

   Each viewer will have a different experience dependent upon their language background, and the ability to enjoy the poetic combination of the words and the visuality together with the music.  

   Patricia Tomaszek - 12.01.2011 - 18:22

2. The Inframergence

   The outer interface of this work is a spiral of buttons, each of which leads to an interactive screen. Beginning at the outside, the screens consist of overlaid polylinear skeins. Each skein has an “obverse,” which goes in the opposite direction. As the reader proceeds through the spiral to the center, nonlinearity emerges. The skeins become more concentrated and are then replaced by clusters; the clusters then clump together into structures, in which some elements are dominant over others; and eventually a full diagrammatic syntax appears, in which any element can be connected to any other using the full complexity available to networks.

   (Source: Jim Rosenberg in http://www.giarts.org/article/travels-contemporary-new-media-art)

   Patricia Tomaszek - 04.03.2011 - 22:19

3. Frequency

   Frequency is a poetry generator written in Ruby, and part of a larger constrained writing process. The lines of all the poems in Frequency are constrained by the fact that I used only 200 of the most common English words in them. The poems generated by Frequency are built from a pool of 2000 lines I wrote. The process of writing the lines was not aided by the machine and was painstaking work. I wrote a set of ten lines beginning with each word, only using the other words in this list in the rest of the line. It is perhaps not unsurprisingly difficult to make meaningful expressions with such a limited vocabulary, but in the end I was surprised by how flexible these base units of our language can be. The poetry generator itself runs from a command line interface, and can algorithmically assemble poems according to a number of different rhyme scheme, syllabic, and spatial criteria.

   Patricia Tomaszek - 04.03.2011 - 22:52

4. Tokyo Garage

   A poetry generator for the imaginary city. Tokyo Garage is a remix of Nick Montfort's "Taroko Gorge" -- a nature poem generator built in javascript. Rettberg modified the code and substituted all of the language of Montfort's work to create this poetry generator, which plays with received stereotypes of the Tokyo metropolis and of urbanity in general. A machinimatic reading was prepared for the DAC 2009 conference, including a clown reading the poem to an imaginary audience.

   Scott Rettberg - 26.03.2011 - 12:26

5. Taroko Gorge

   A poetry generator produced first in Python and then implemented in Javascript, Montfort's "Taroko Gorge" generates nature poetry about the national park of the same name in Taiwan. Since its initial publication, the program has been hacked, remixed, and reimplemented by a number of other authors.

   Meri Alexandra Raita - 19.02.2012 - 18:10

6. Psychographic Poetry

   Psychographic Poetry

   Scott Rettberg - 19.05.2012 - 19:45

7. human-mind-machine

   human-mind-machine

   Scott Rettberg - 16.06.2012 - 02:13

8. PROTOMIR

   НЕЙРОАТАКА АНИМА МАГНИТ АЛГОРИТМА АТМА ЭМБРИОХАЙТЕК ПРОТОРОБОТЕК Тайна вселенной зашифрована в звуки и образы, в магическую книгу-мистерию о загадках творения и вселенной. ПРОТОТОРОИД. Электронная каббала корнесловий, саунд дизайна и видеоряда. Ее чтение/слушание/созерцание требует восприятия ряда уровней звуков, смыслов и образов. Тайны взаимоотношений между вещами в природе, между планетами в небесных сферах, между людьми и демонами внутри и снаружи них сложены в ритмы внелинейного изначалья заузорья, которые необходимо дешифровать. Оптика ПРОТОТОРОИДА с помощью малой вселенной себя позволяет рассматривать большую вселенную галактики. ЗА СПЕКТРАМИ ИЗ КРАСНЫХ ОБЛАКОВ ВСЯ ГОРЕЧЬ ПРЕВРАТИЛАСЬ В СЛАДОСТЬ Всякое искусство стремится быть музыкой, всякая мысль стремиться стать энергией. Древний символ - змея, которая кусает себя за хвост – представляет собой замкнутый круг, но при этом, незаконченный: съедая себя, она поддерживает статичную систему мироздания. МЫ ЕЛИ МИР ДРУГ ДРУГА РАДУГ Тор, - трехмерная фигура, вытянутая полусфера, геометрический аналог змеи, кусающей себя за хвост, - суть фундаментальная форма бытования энергии.

   Natalia Fedorova - 07.02.2013 - 18:15

9. Ann Coulter : Human Document

   This series of visual poems use an artistic writerly method developed by Tom Philips for his famous artist book, A Humument. Philips extracted a poetic narrative about a character named Toge— who showed up when the words “together” or “altogether” were present on a page of W. H. Mallock’s Victorian novel A Human Document. Poundstone uses this method to poetically and artistically deconstruct Ann Coulter’s writing, exposing some of the ideological content hidden in her inflammatory prose. The parallels between Mallock’s Victorian sensibilities and Coulter’s conservative insensibility are apparent when juxtaposed with this mash-up, suggesting that she is “a crazy self referential Victorian.” (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 08.02.2013 - 19:41

10. Re-start

    Re-start

    Dan Kvilhaug - 03.03.2013 - 15:15

Pages