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1. Je liegt en je filtert ... (You're lying and you filter ...)

   A dictation exercise. Girls in an educational black & white setting. Sentences (well-pronounced but sloppily) read by a male voice at dictation speed. The reaction of the girl in focus colors the content.
    

   David Prater - 09.11.2011 - 15:32

2. Pause

   This visual work could be seen as a kind of visual poem, scroll drawing, or webcomic strip. Seemingly the result of tracing or drawing by hand on thin paper, the piece has two layers of drawing: one layer is presented at the beginning of the piece for a few seconds before it fades into an opacity that mimics ink shining through from the other side of thin caliper paper. To add complexity, the work seems to be created on a long strip exposed to view partially through a scrolling mechanism we cannot control and which goes by at a rate that is challenging to keep up with. Zellen acknowledges this desire for control by pausing the scrolling just for a moment and briefly bringing up the word “pause” before continuing the rapidly scheduled presentation of the work.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 15.02.2013 - 14:27

3. Larvatus Prodeo

   This collaborative poem in three parts makes virtuoso use of the marquee tag, which along with the ever-annoying blink tag, has been disavowed by the World Wide Web Consortium (W3C), which imperils its existence in future browsers. Each of its parts uses this tag as a central device for shaping its text in a different way to play with Barthes’ notion of how the past is reduced and turned into “a slim and pure logos” through narrative as well as with Descartes’ use of the latin phrase larvatus prodeo (I come forth, masked). (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 28.02.2013 - 13:27

4. Biggz

   This generative poem is built from four elements: an image, a caption, lines of verse by Simon Biggs, and a JavaScript framework Glazier developed for “White-Faced Bromeliads on 20 Hectares.” The poem and its contextual information are randomly generated whenever the page is loaded, reloaded, or every 20 seconds— which makes a marked difference in how one reads and conceptualizes the poem when compared to “White-Faced Bromeliads,” which refreshes every 10 seconds. Biggs’ lines of verse are perfectly grammatical, but unconventional in its logical formulations in the tradition of Language Poetry or Gertrude Stein, which makes them stand up well to the page’s generative engine.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 28.02.2013 - 14:24

5. Inanimate Alice, Episode 2: Italy

   Aptly called a novel, this serially published multimedia work uses games, images, video, and narrative prose cut into portions that use poetic tactics for delivery of ideas and story. And it is beautifully integrated, layer by layer, moment by moment, to deliver a poignant narrative about a girl named Alice who exemplifies her media-savvy generation. (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 28.04.2013 - 16:45