Search

Search content of the knowledge base.

The search found 5 results in 0.009 seconds.

Search results

  1. Clues

    Clues explores the nature of communication, knowledge, and identity through the language and postures of mystery fiction. It's a metaphysical whodunit that invites you to solve the mystery by uncovering clues linked to images throughout the work. The search becomes a game that leads you down wooded trails, back alleys, and empty hallways. Which characters should you pursue? Which objects should you investigate? To win the game, you must separate all the clues from the red herrings. Your final score determines the outcome of the text. But is the mystery really soluble? Is winning actually better than losing? Are the answers or the questions more revealing?

    (Source: 2002 State of the Arts gallery)

    Scott Rettberg - 16.06.2012 - 11:45

  2. Memoirs from Hijiyama

    This exquisitely designed site contains poetry in several modes: in lines of verse, as visual poetry, and as an e-poem that responds to the reader’s symbolic presence in the text: the pointer. The site is conceptualized “as a grave” made of [web] pages, words “flung to the far corners / of the earth” (quoted from the site manifesto). Each page consists of images and words arranged and offer the reader two ways of viewing the composition: discover (which keeps links hidden for reader to explore the surface of the image for them) and unearth (which provides a sepia tone for the background and reveals the links in the text, along with useful labels for them). Verbally it is also a collage of voices: from the victims to the pilot of the Enola Gay, who delivered the bomb in Hiroshima. This work is a powerful memorial to those lost in Hiroshima (and by extension Nagasaki). Simultaneously fascinating and horrifying, factual and ironic, the work reminds us of the very human side to the event and its aftermath.

    (Source: Leonardo Flores)

    Helene Helgeland - 25.10.2012 - 12:41

  3. <? echo [THE_SIGNIFIER] ?>

    This suite of 20 short pieces, is focused on technologies and codes left behind in the ever accelerating change of computer systems. Thuan describes it as “a requiem without mourning, sorrowing or lamenting since they are always recycled and resurrected, by one way or another, in different signifiers.” And indeed, some of these pieces use codes and HTML functionality already passé and mostly forgotten in 2006, such as pop up windows, link mouseovers to reveal texts through improved color contrast, frames, tables, menu windows, and so on. This isn’t just nostalgia, however, because Thuan is able to shake us up with scans (real or simulated?) of our browser cache or computer’s hard drive to reveal porn, options that may or may not send information about ourselves or our computer system (our digital self) to sources we may not trust, and other procedures that remind us that just because we cannot see the code doesn’t mean it isn’t there, active and readable. He also reminds us of code with texts in a hybrid of natural and computer language reminiscent of Mez Breeze’s mezangelle.

    Hannelen Leirvåg - 02.02.2013 - 12:19

  4. Bean Project

    This linear hypertext poetic project is structured by the constraint of following the germination of beans over the course of 23 days, while learning Web design with Macromedia Dreamweaver 4. Each day, Black builds a page using daily photographs of the beans and writing a poem inspired by her impressions of the beans that day.

    There is an infectious youthfulness to the project as we see the beans sprout, take root and grow both in the beer glass and in Black’s mind. The page designs and poems are playful, experimenting with layout, line breaks, incorporating images, and with simple animation layers. The ending comes as a shock with an unexpected reversal that has little to do with beans but much to do with an important function of pets for children.

    (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 10.02.2013 - 21:38

  5. Shadow

    This is a poem that uses language and code in textural ways. The letters are arranged in a light grey color on a white background clustered so densely that only a few words that jut out are readable. Three squares trigger a dark grey image to appear under the words, which creates more contrast for increased legibility, but it is not a true improvement. The few words one can make out are snippets of code, which might be an invitation to see what is in the source code.

    (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 19.02.2013 - 19:29