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1. l0ve0ne

   L0ve0ne (Eastgate Web Workshop) was first told as an additive social networked story, on the Interactive Conference on Arts Wire, beginning in the fall of 1994. Each lexia was posted as a separate entry on the conferencing system. Portions of L0ve0ne were ported in different forms in servers all over the country, including the Arts Conference on The WELL. The story integrates hacker culture, early Internet technologies, a German "road trip"; and a love story that continues in Malloy's The Roar of Destiny.  The first person is used, as it is in many of Malloy's other works, as a narrative device that not only effects the telling, in that it allows the writer to disclose the details of the main character's life in an intimate way, but also effects the reading, in that it situates the reader directly in the main character's life and environment.

   Eric Dean Rasmussen - 14.03.2011 - 11:37

2. I Have Said Nothing

   This hypertext narrative includes two fatal car crashes. The plot of this story motivates its readers to navigate their way through the story of loss, death, and media. This chilling story also encourages the readers to a chaotic retrospective thinking and reflection.
   With the use of hypertext links, the plot only progresses by the help from its readers through active participation and the choices they make with the point-and-click system

   Jill Walker Rettberg - 28.07.2011 - 14:42

3. The Electronic Chronicles

   An imagining of an electronic compendium of the archives of an ancient civilization.

   Scott Rettberg - 19.01.2013 - 17:18

4. Book of Endings

   Referred to by the author as a network fiction.

   Jill Walker Rettberg - 08.04.2014 - 20:02