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  1. Victory Garden

    The Gulf War and its media frenzy serves as the backdrop for this Dickensian tale of campus politics, seduction, burglary, dissent, unsafe driving, and war.

    (Source: Victory Garden - Eastgate Systems)

    Victory Garden is a hypertext novel which is set during the Gulf War, in 1991. The story centres on Emily Runbird and the lives and interactions of the people connected with her life. Although Emily is a central figure to the story and networked lives of the characters, there is no one character who could be classed as the protagonist. Each character in Victory Garden lends their own sense of perspective to the story and all characters are linked through a series of bridges and connections.

    Jill Walker Rettberg - 14.01.2011 - 12:15

  2. WOE

    According to the description of WOE in the New Media Reader, where it was republished on a CD inserted into the book, it was "a hypertext that was a radical departure for author Michael Joyce from his modernist hypertext classic afternoon: a story. "WOE" combines narrative material with metafictional passages, typographic experiments, notes to and about hypertext theorists, and even images; it creates a heterogeneous browsing experience of the sort familiar to today's Web readers (or fans of Mark Z. Danielewski's House of Leaves)."

    Jill Walker Rettberg - 15.10.2011 - 20:45

  3. Les Mots et les Images

    Les Mots et les Images is a work by J.-M Dutey published in alire 5 in 1991. At first, one encounters a table that is divided in 21 smaller boxes. Here, there is a spatial idea that is introduced which Dutey wished to explore as seen in a quote from the work itself, “(Dutey) voudrait que sa poésie explore les espaces qu’elle occupe et ceux qu’elle suggère.” This quote expresses an exploratory desire because one has to click on the words on the screen to begin the program. If one chooses not to click, then nothing will happen. It is up to the user to explore the work, whether that is limited or full exploration. This seems to give the user a sense of control, yet when one chooses to begin; the control is replaced by a feeling of being lost in the connections between the words in the smaller boxes.

    Sergio Encinas - 23.09.2014 - 03:27