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1. Digital Media

   The chapter takes readers through a semester of teaching narrative-based electronic literature works, including interactive fiction, storyspace hypertexts, web hypertexts, email fiction and interactive web-based narratives.

   Scott Rettberg - 13.01.2011 - 15:24

2. Rev. of Beyond the Screen. Transformations of Literary Structures, Interfaces and Genres

   Rev. of Beyond the Screen. Transformations of Literary Structures, Interfaces and Genres

   Eric Dean Rasmussen - 04.02.2011 - 12:43

3. Authoring Software

   A resource for teachers and students of new media writing, who are exploring what authoring tools to use, for new media writers and poets, who are interested in how their colleagues approach their work, and for readers, who want to understand how new media writers and poets create their work, the Authoring Software project is an ongoing collection of statements about authoring tools and software. It also looks at the relationship between interface and content in new media writing and at how the innovative use of authoring tools and the creation of new authoring tools have expanded digital writing/hypertext writing/net narrative practice.

   Judy Malloy - 11.03.2011 - 18:05

4. The Tradition of E-Lit Publishing in France

   The Tradition of E-Lit Publishing in France

   Eric Dean Rasmussen - 04.04.2011 - 12:01

5. Netzliteratur.net and Edition Cyberfiction

   Netzliteratur.net and Edition Cyberfiction

   Eric Dean Rasmussen - 05.04.2011 - 12:38

6. In Search for the Novel Possibilities of Text-Based Installations: Teaching Digital Literature within New Media Studies in Slovenia

   In Search for the Novel Possibilities of Text-Based Installations: Teaching Digital Literature within New Media Studies in Slovenia

   Eric Dean Rasmussen - 07.04.2011 - 12:32

7. Teaching Digital Literature through Multi-Layered Analysis

   Teaching Digital Literature through Multi-Layered Analysis

   Eric Dean Rasmussen - 07.04.2011 - 12:34

8. PO.EX '70-­80: The Electronic Multimodal Repository

   Portuguese experimental poetry of the 1970s and 1980s includes visual poetry, sound poetry, videopoetry, performance poetry, and computer poetry. Experimental literary objects, practices, and events often consist of an interaction between notational forms on paper and site-specific live performances. Thus the eventuality of literary meaning is dramatically foregrounded by turning the text into a script for an act whose performance co-constitutes the work. The aim of ‘PO.EX ‘70-’80: A Digital Archive of Portuguese Experimental Literature’ (http://po-ex.net/) is to represent this intermedia and performative textuality in an electronic database. The aggregation and marking up of this large multimodal corpus has material and interpretative implications which challenge our representations of experimental works and practices. Whether taking the form of facsimiles of books and paper collages, photographs of installations, videos of performances or emulations of early digital poems, digital remediation re-performs the works for the current techno-social context.

   Scott Rettberg - 20.05.2011 - 13:28

9. In Search of Sustainability: Institutional and Curricular Limitations of Teaching Electronic Literature

   In Search of Sustainability: Institutional and Curricular Limitations of Teaching Electronic Literature

   Eric Dean Rasmussen - 13.06.2011 - 10:05

10. E-lit From a Librarian's Perspective

    E-lit From a Librarian's Perspective

    Eric Dean Rasmussen - 19.08.2011 - 14:17

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