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1. Autoautor, Autotexto, Autoleitor: O Poema como Base de Dados

   This article contains an introduction to contemporary Portuguese electronic literature, focusing on works by Rui Torres. Starting from texts by other 20th-century authors, Rui Torres’ generative works recode their source texts by opening up their syntax and semantics to digital materiality and programmed signification. Randomized algorithms, permutational procedures
   

   Alvaro Seica - 14.10.2013 - 11:41

2. Med literaturo in novomedijsko umetnostjo: sonetoidni spletni projekti Vuka Ćosića in Tea Spillerja

   Franco Moretti’s notion of “distant reading” as a complementary concept to “close reading,” which has emerged alongside computer-based analysis and manipulation of texts, finds its mirror image in a sort of “distant” production of literary works—of a specific kind, of course. The paper considers the field in which literature and new media creativity intersect. Is there such a thing as literariness in “new media objects” (Manovich)? Next, by focusing on the websites that generate texts resembling and referring to sonnet form, the article asks a question about the new media sonnet and a more general question about new media poetry. A mere negative answer to the two questions seemingly implied by Vuk Ćosić’s projects does not suffice because it only postpones the unavoidable answer to the questions posed by existing new media artworks and other communication systems. Teo Spiller’s Spam.sonnets can be viewed as an innovative solution to finding a viable balance between the author’s control over the text and the text’s openness to the reader-user’s intervention.

   Scott Rettberg - 16.10.2013 - 16:19

3. A Vanguard Projected in Motion: Early Kinetic Poetry in Portuguese

   This essay serves to promote a broader awareness of the pioneering efforts in videographic poetry produced in Portuguese in the decades leading up to the formation of the WWW. At present, documentation of such works in books and journal articles in English is particularly weak; the only title that even partially introduces such works is a now out-of-print issue of Visible Language that focused on New Media Poetry (Vol. 30.2). Thus, these historical predecessors to contemporary animated poetry are barely known in the United States. Prior to the 1990s only a few poets used video; much of what occurred transpired outside the realm of English (and some even outside the realm of language, as illustrated in the essay).

   (Source: Author's Abstract)

   Alvaro Seica - 19.11.2013 - 13:00

4. Flash Script Poex: A Recodificação Digital do Poema Experimental

   In this article I analyze digital re-readings of experimental poems contained in the digital archive
   PO-EX: Poesia Experimental Portuguesa - Cadernos e Catálogos [PO-EX: Experimental Portuguese Poetry - Chapbooks and Catalogues]. This project was developed by the Center for the Study of Informatic Text and Cyberliterature (CETIC) at Fernando Pessoa University (Porto, Portugal). I consider how experimental poetics is applied and transformed in the processes of electronic remediation of visual and concrete texts by E. M. de Melo e Castro, Herberto Helder, José-Alberto Marques, Salette Tavares and António Aragão. While digital recreations redefine the source texts by means of specific programming codes, they also reveal the complex linguistic and graphical coding of the printed page.

   (Source: Author's Abstract)

   Alvaro Seica - 29.11.2013 - 10:54

5. New Strategies of Anthropophagy in Brazilian/Portuguese Digital Literature

   This article intends to discuss an example of contemporary digital literary creation, based on anthropophagy as a cultural mechanism. Oswald de Andrade, one of the leaders of Brazilian modernism, published his Anthropophagic Manifesto in 1928, where he argued that “what is not mine interests me”. In fact, translated into our contemporary culture, this Manifesto could explain some issues of Brazil’s intellectual and cultural environment: the “only what is not mine interests me” could be complementarily read as “what is mine does not interest me”; the anthropophagus would disdain that which is his own and ceaselessly search for the references to the Other. That attitude would be important to understand not only cultural processes, but it could also describe some strategies of contemporary digital literary creations, as Amor de Clarice, created by the Portuguese artist and intellectual Rui Torrres.

   (Source: Author's Abstract)

   Alvaro Seica - 29.11.2013 - 11:21

6. Poesia Digital: Reflexões em Curso

   Este trabajo analiza la recepción de la poesía digital basada en la producción de Mallarmé, Apollinaire, Pound, Joyce y Cummings, con el objetivo de señalar la influencia de estos poetas en su construcción. A través del análisis de los poemas en un medio electrónico, encontramos algunos elementos de literariedades digitales, identificando algunas de sus características. Algunos poemas digitales instan al lector a una relación más interactiva, otros permiten una lectura de menos dispersión interpretativa, y hay poemas que explotan exhaustivamente los recursos del computador, y la postura del lector es la que determina la construcción del significado, independientemente de los medios de circulación de la producción.

   Alvaro Seica - 02.12.2013 - 11:52

7. Notas sobre AlletSator: O Retomar da Viagem – Sintetizador Poético, Ciberdrama e Hipermédia

   Nestas breves páginas proponho uma abordagem panorâmica a uma parte do percurso criativo de Pedro Barbosa que faz dele uma figura incontornável no panorama da ciberliteratura em língua portuguesa. Barbosa tem vindo a dedicar, desde há longa data, uma parte importante do seu trabalho, tanto criativo quanto teórico, à intersecção da literatura com as novas tecnologias, como o comprovam os dois volumes da então designada Literatura Cibernética, publicados nos finais da década de 70.

   (Fonte: http://cibertextualidades.ufp.edu.pt/numero-2-2007/ciberdrama-e)

   Alvaro Seica - 02.12.2013 - 15:26

8. Média Digitais: Novos Terrenos para a Expansão da Textualidade

   A intersecção da literatura com a informática, com especial incidência na poesia animada em computador, que será o objecto em análise neste breve ensaio, acentua a tendência do texto para transpor os limites convencionais, ao intensificar as propostas de interpenetração do verbal com o sonoro e o visual, já presentes em manifestações anteriores, por exemplo, no âmbito da poesia experimental, mas também como lembra José Augusto Mourão (p. 409 e ss), ao entrar efectivamente em movimento e ao prestar-se a modificações, o que implica que as transformações de maior alcance produzidas pela literatura digital no conceito de texto são provocadas pelos textos mais interactivos.

   (Fonte: Introdução do Autor)

   Alvaro Seica - 03.12.2013 - 12:36

9. alire 10: Um Testemunho de 10 anos de Simbiose entre Literatura e Informática

   alire 10: Um Testemunho de 10 anos de Simbiose entre Literatura e Informática

   Alvaro Seica - 03.12.2013 - 16:14

10. Re-textualizações Operadas por Computador

    Re-textualizações Operadas por Computador

    Alvaro Seica - 06.12.2013 - 11:00

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