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1. Abandoning Canon: Fluid Texts and Implicit Collaboration in Electronic Narratives

   Digital technology enables artists - photographers, musicians, writers, filmmakers, illustrators,
   animators, etc. - to place their work not in a strictly definable where, but effectively everywhere
   (everywhere, that is, where infrastructure and access are available). Where once the lines between
   author, text, and reader could be drawn with linear vectors, digital technology and their increasing
   availability and accessibility bring author, text, and reader into a potentially endless cycle of narrative, creation, wherein the roles are fluid and the text may never be fixed. Because of this capability, Astrid Ensslin argues that the idea of literary canon must depart from "its traditional self-contained, closed, and rigidly exclusive connotations. Instead, an inclusive, open concept has to be adopted, which works in terms of a continuous process of integration, modification and discharge" (2006, n.p).

   (Source: Author's abstract, 2012 ELO Conference site)

   Eric Dean Rasmussen - 21.06.2012 - 13:53

2. 4079

   a poem written in a country distant from permanent residence, distance is obvious

    

   Interactive poem 4079 is programmed in Processing using JavaScript. Both text and graphic user interface bring the theme of distance, moving between conditions, it questions connectedness and separation, physical and psychical proximity, remoteness and attachment. Poetics of the piece lies in the perception of individual lines of the poem as well as in interacting

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   with the dynamics of the dots and their layers. There is no set sequence of reading, so the beginning and the end may be any of the eleven

   Dan Kvilhaug - 14.03.2013 - 12:09

3. Walking Blues Changes Undersea

   Note from editor: Date is estimated. Cannot find work online.

   Jill Walker Rettberg - 03.07.2013 - 11:20

4. ASCII History of Moving Images

   ASCII versions of familiar films.

   Jill Walker Rettberg - 04.07.2013 - 12:05

5. Office Politics

   Demo text world in the Oz Project where the player is involved in backstabbing office politics. Emotional and social characters for interactive drama were a key aim.

   Jill Walker Rettberg - 29.08.2013 - 15:10

6. La belle Zohra

   Early French graphic nteractive fiction.

   Jill Walker Rettberg - 29.08.2013 - 16:06

7. Les yeux

   Les yeux

   Jill Walker Rettberg - 29.08.2013 - 16:14

8. One + One = Zero – Vanishing Text in Electronic Literature

   The concept of “erased” text has been a recurrent theme in postmodernist criticism. While most speculation about the presence or absence of an absolute text is applied to print literature, the manifestations of digital text present a new and entirely separate level of investigation.
The combination of visible language and hidden code do not negate the basic questions of language and interpretation – these continue to be important in our study of electronic texts. However, the visible text – under the influence of code – can be modified, transformed, and even deleted in ways that introduce markedly different implications for reading strategies and meaning structures.
This paper will explore a selection of works from electronic writers illustrating text/code practices that involve disappearing “text.” Text can absent itself by the simplest of reader actions – the mouseover or the link which takes the reader to another “lexia” in the piece. But text can also be obliterated by actions of the code, unassisted by the reader/navigator. Moreover, there are intermediate techniques to create vanishing text.

   Alvaro Seica - 04.10.2013 - 11:37

9. Where Is the Text? The Disappearance of the Text in Electronic Poetry

   Electronic poetry encompasses works very different from one another. Talking about electronic poetry as if it were just one creative form seems to be inaccurate. On the other hand the interest to be had in electronic poetry seems to reside exactly in the diversity which electronic poetry has to offer to its reader.
   This paper will feature an empirical approach to electronic poetry. The aim of this paper is a two-fold goal. On the one hand it will study the “development” of electronic poetry, and our hypothesis is: the text is disappearing in e-poetry; and on the other it will compare e-poems written in different languages to see if there are differences of style in composing e-poetry.
   

   Alvaro Seica - 04.10.2013 - 11:58

10. Poemas no Meio do Caminho: Poesia Combinatória Animada por Computador

    Poemas combinatórios e generativos, programados de modo a permitir ao leitor alterar dinamicamente, em tempo de execução, os paradigmas que alimentam a sintaxe original; Som gerado aleatoriamente a partir de bases de dados previamente gravadas, com vozes e texturas sonoras; Além de alterar o poema, o leitor pode guardar as suas versões/leituras num weblog disponível na Internet. Duas versões disponíveis (versão horizontal e versão vertical) dão aos leitores a possibilidade de navegar entre distintas tipologias de página: em modo de panorama ou em modo de página html: A versão horizontal (panorama) inclui video, permite ao leitor alterar as palavras e enviar para weblog; A versão vertical (html) permite ao leitor alterar as palavras, alterar as listas e enviar para weblog.

    (Source: http://edicoes.ufp.pt/product/humanidades/poemas-no-meio-do-caminho-poes...)

    Alvaro Seica - 14.10.2013 - 13:09

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