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From the Page to the Screen to Augmented Reality: New Modes of Language-Driven Technology Mediated Research
From the Page to the Screen to Augmented Reality: New Modes of Language-Driven Technology Mediated Research
Scott Rettberg - 17.06.2011 - 12:04
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Digital Literature and the Digital
In this article, the approach to the Digital is based on the distinction between three levels: a theoretical level, an applicative level and an interpretative level. Now digital literary works play on the tensions between the three levels and allow these tensions to be highlighted. Studying the conjunction of the Digital and of literary creation – by analysing digital literary works – thus proves to be relevant. Looking into the specific properties of the Digital can throw light on the potentialities of digital literature; in the same way, digital literature can act as a revealer for the Digital.
Serge Bouchardon - 17.06.2011 - 12:09
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Connecting Memories: Contextualizing Creative Research Practice
Connecting Memories: Contextualizing Creative Research Practice
Scott Rettberg - 17.06.2011 - 12:09
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The Electronic Literature Directory
The Electronic Literature Directory
Eric Dean Rasmussen - 24.06.2011 - 12:33
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"I Am a Double Agent": Shelley Jackson's Patchwork Girl and the Persistence of Print in the Age of Hypertext
"I Am a Double Agent": Shelley Jackson's Patchwork Girl and the Persistence of Print in the Age of Hypertext
Eric Dean Rasmussen - 24.06.2011 - 16:17
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Third Hand Plays: An Introduction to Electronic Literature
The first in a series of columns about electronic literature and digital literary art written by Brian Kim Stefans for the SFMOMA's Open Space blog. Here, Stefans explains the premise behind his column: each installment describes what he dubs one of the "simples" of digital literature, that is, "some element in the deep structure of the text/alogrithm interaction" that the author deploys to produce aesthetic effects. In digital literature, Stefans proposes, these formal elements are akin to poetic features, such as assonance, alliteration, and rhyme, that can be identified as a poem's basic components. Critical terminology provides readers and critics a tool for describing how a work of literature functions, and Stefans' "simples" are intended to enable readers to not only identify techniques used to produce digital literary art but also to better understand how authors deploy these poetic effects meaningfully. (Source: Eric Dean Rasmussen)
Patricia Tomaszek - 24.07.2011 - 14:55
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The Institution of the Book: Why Shelley Jackson Doesn't Write Hypertext
After all these years, Cayley is still troubled by the question of whether writing in other media, such as hypertext, can be a 'book.' Do writers need to write books in order to be writers?
Eric Dean Rasmussen - 18.08.2011 - 16:58
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Portuguese E-Lit Archive
Portuguese E-Lit Archive
Eric Dean Rasmussen - 19.08.2011 - 14:07
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US Library E-Lit Archive Projects
US Library E-Lit Archive Projects
Eric Dean Rasmussen - 19.08.2011 - 14:10
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E-lit From a Librarian's Perspective
E-lit From a Librarian's Perspective
Eric Dean Rasmussen - 19.08.2011 - 14:17
