Search

The search found 2 results in 0.079 seconds.

Search results

1. Dressage #7

   Claude Maillard and Tibor Papp’s “Dressage no. 7” is glaring example of anthropophagic inflection in early digital poetry. The authors, continuing to use the same language and themes established in previous editions of Alire, cast familiar words and phrases amidst a wider span of new visual contexts. Alternating graphical pages, verbal pages, and pages that incorporate both propel the narrative. Works in Maillard and Papp’s “Dressage” series address the diminishing status of civil liberties in general, inscribing their views in a new media format that revives the aesthetics of an earlier era with new purpose.

   (Source: Chris Funkhouser "Le(s) Mange Texte(s): Creative Cannibalism and Digital Poetry")

   Scott Rettberg - 31.01.2013 - 19:33

2. They Have Large Eyes and Can See In All Directions

   They Have Large Eyes and Can See In All Directions is a reinterpretation of texts mixed with extracts from books on psychometry written by William Denton and diaries written by his sons concerning their experiences in Melbourne in August 1882.

   Sherman and Shelley went collecting skins in Panton Hill and Pheasant Creek while William remained in the city to speak at Spiritualist meetings.

   (Source: https://thecodeofthings.com/poems/they-have-large-eyes)

   Alvaro Seica - 08.04.2017 - 20:48