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  1. Labyrinth

    As in Akira Kurosawas film Roshamon, the pairs of protagonists create a dilectic of two competing monologues -- inviting the audience locate the truth between the two stories.

    Scott Rettberg - 04.05.2012 - 10:37

  2. Poema-Bomba

    Poema-Bomba

    Luciana Gattass - 02.12.2012 - 19:21

  3. Сад расходящихся хокку (Garden of forking hokku)

    Сад расходящихся хокку (Garden of forking hokku)

    Natalia Fedorova - 27.01.2013 - 00:19

  4. Grafoman

    Grafoman

    Dan Kvilhaug - 20.03.2013 - 13:08

  5. Les récits voisins

    Recits voisins est le premier module mis en ligne sur oVosite. C'est aussi le plus complexe. Cet espace de lectures relie huit nouvelles autonomes en même temps qu'elles sont reliées entre elles par les destins croisés de personnages, associations poétiques ou élements naturels communs.

    Cet espace a été écrit et conçu à douze mains, six corps et têtes, et repose sur près de quatre cent cinquante liens répartis dans mille deux cent fichiers. Plus simplement, il s'agit d'un hypertexte qui ne renie pas la linéarité narrative mais tisse des passages latéraux…

    Luc Dall'Armellina - 1997

    Scott Rettberg - 27.06.2013 - 13:13

  6. I Am a Singer

    Megan Heyward's interactive narrative, I Am a Singer, was created in 1997 with Macromedia Director for the artist's MFA thesis and was exhibited widely after its release. Concerned with memory and identity, I Am a Singer tells the fictional story of Isobel Jones, a famous rock singer who has been in an accident and is suffering amnesia. Although she is still able to access the media traces of her life- songs, articles, newspaper clippings, and various items of personal memorabilia, she cannot draw together these disparate threads into a meaningful sense of self.  Structurally, I Am A Singer is a narrative built of fragments, of small, discrete but intersecting sequences, mirroring the fragmented consciousness of the singer. It operates on a number of levels – as a pure tale about an amnesiac singer trying to regain her memory, and as a broader exploration of identity and memory.

    Jill Walker Rettberg - 29.06.2013 - 23:45

  7. Placing

    Placing

    Scott Rettberg - 30.06.2013 - 22:23

  8. 23:40 Das Gedächtnis

    23:40 Das Gedächtnis

    Jill Walker Rettberg - 04.07.2013 - 11:27

  9. Heaven & Hell

    Heaven & Hell

    Jill Walker Rettberg - 04.07.2013 - 13:04

  10. BEAST

    BEAST. The Web fosters, and depends on, utter transience of attention. Extending television's effects through its much-vaunted interactivity, it has reduced writing to "content" squeezed between gaud and flash and irrelevance. In Beast, the reader directs the progress of a single text by interacting with it and its interior world of fake-3-D images. Beast tries to tap the interactive possibilities of the medium while allowing the text to be seen as a whole; the eye is a hypertext engine more sophisticated than any we could devise. But Beast also subverts itself through jarring messages and the system's periodic takeover of its own functions. A nightmarish, superficially dehumanizing system, Beast decocts much that is terrifying and unpleasant about computer technology, and about society and ourselves as the computer has built us. But this monstrosity has a humanizing core, the text, that speaks to the anxieties the system produces.

    Scott Rettberg - 12.07.2013 - 13:34

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