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1. Cibertextualidades 1

   Cibertextualidades 1

   Rui Torres - 25.11.2011 - 23:39

2. Cibertextualidades 3

   Cibertextualidades 3

   Rui Torres - 25.11.2011 - 23:43

3. Leer literatura (en) digital: una historia de intermediaciones, desplazamientos y contaminaciones

   Leer literatura (en) digital: una historia de intermediaciones, desplazamientos y contaminaciones

   Sandra Hurtado - 01.12.2011 - 15:44

4. Cibertextualidades: Introdução

   Cibertextualidades: Introdução

   Rui Torres - 02.12.2011 - 15:02

5. Preservación y diseminación de la literatura electrónica: por un archivo digital de literatura experimental

   Preservación y diseminación de la literatura electrónica: por un archivo digital de literatura experimental

   Rui Torres - 04.12.2011 - 17:33

6. Reclaiming the 'Golden Age': The Second Person in Digital Fiction

   Since the demise of the 'Golden Age' of literary hypertext (Coover 1999) and the theoretical debates surrounding online and offline electronic literature that followed in its wake, the study of digital fiction in particular has undergone a significant paradigm shift. Recent research has moved from a 'first-wave' of pure theoretical debate to a 'second-wave' of close stylistic and semiotic analysis. While the theoretical intricacies of second-wave digital fiction theory have been well debated (e.g. Ciccoricco 2007, Ensslin 2007, Ensslin and Bell 2007, Bell 2010 forthcoming), the discipline and practice of close-reading digital fiction require a more systematic engagement and understanding than offered by previous scholarship.

   Audun Andreassen - 20.03.2013 - 10:12

7. Písanie v interaktívnych médiách. Digitálna fikcia /Writing in the Interactive Media. Digital Fiction

   The subject of the thesis is to introduce and contextualise the possibilities of writing in the interactive media as well as to study the literary art of interactive media in the Anglophone area. One of the attributes of the contemporary art pieces of interactive media is their intermedial character; the authors often link text, image and sound to introduce the fictional world. The aim of the thesis is on one hand to refer to the questions that are not new but have appeared in new circumstances due to the digital format and internet and on the other hand to refer to the questions typical for the digital fiction research. The research concentrates on the digital fiction – a digital piece written in a computer programme, in which the author offers a fictional world. The thesis addresses several aspects of digital fiction, whose combination indicates its characteristic status within the group of digital art – fragmentarity of narrative, multilinearity, interactivity, performativity, dynamics, intermediality and the principles of game and play.

   Zuzana Husarova - 28.06.2013 - 14:46

8. Visuality and Material Expressiveness in the Portuguese Experimental Poetry

   Visuality and Material Expressiveness in the Portuguese Experimental Poetry

   Rui Torres - 03.12.2013 - 23:37

9. Seminario Internacional Transmedia Storytelling: Intermediality & Adaptation in Digital Culture

   Durante los próximos 26, 27 y 28 de marzo se celebrará en la Universidad de Granada, el seminario Transmedia Storytelling, intermediality and adaptation in digital cultures. Organizado por la facultad de Comunicación y Documentación, contará con la presencia de Espen Aarseth, Jan Baetens y Robert Pratten entre otros prestigiosos ponentes.

   Maya Zalbidea - 23.03.2014 - 23:25

10. Intermediality and Electronic Literature

    The 2015 ELO Conference’s call for papers states that "[e]lectronic literature is situated as an intermedial field of practice, between literature, computation, visual and performance art. The conference will seek to develop a better understanding of electronic literature’s boundaries and relations with other academic disciplines and artistic practices."

    This roundtable discussion, led by both established and emerging e-lit scholars and artists, will explore the idea of electronic literature as an intermedial practice, looking at the topic from a wide range of forms including literature, performance, sound, computation, visual art, and physical computing. Drawing upon artistic work they have produced or studied, each panelist will provide a five-minute statement that touches on qualities related to intermediality like hybridity, syncretism, and collaboration. Following this series of brief presentations, the panelists, then, encourage engagement in a wider conversation with the audience.

    Hannah Ackermans - 31.10.2015 - 10:36

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