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1. Born-Again Bits: A Framework for Migrating Electronic Literature

   The intended audience of Born-Again Bits includes besides e-lit authors also the publishers, archivists, academics, programmers, and funding officers who will be necessary partners in an overall, renewable ecology of electronic literature. These other communities are already at work on digital preservation strategies. However, experimental e-lit has special qualities that make it an extreme case of the digital artifact. It is hoped that ELO's PAD initiative will contribute to other digital preservation strategies by ensuring that they accommodate e-lit and so, in the process, become more robust for all digital works.

   Scott Rettberg - 06.02.2012 - 15:04

2. Digital Magic: Preservation for a New Era

   Kirschenbaum makes an "argument for the importance of digital preservation while describing how how he accessed SWALLOWS via an Apple // emulator and then provided Zelevanksy with the original .dsk file from which he then created a new version of SWALLOWS (with audio and video clips mixed in) called G R E A T . B L A N K N E S S" (Source: adapted from post at loriemerson.net).

   Eric Dean Rasmussen - 25.04.2012 - 08:55

3. Porting E-Poetry: The Case of First Screening

   This presentation seeks to examine issues around the practice of porting electronic literature,
   particularly E-poetry by examining the case of First Screening by bpNichol, a Canadian poet who
   programmed a suite of e-poems in Apple BASIC in 1984. This work was preserved, documented, ported, curated, and published in Vispo.com in 2007 by a collaborative group of poets and programmers: Jim Andrews, Geof Huth, Lionel Kearns, Marko Niemi, and Dan Waber. This publication consists of a curated collection of four different versions of First Screening which I will analyze in my presentation:

   1. The original DSK file of the 1984 edition, which can be opened with an Apple IIe emulator, along with the Apple BASIC source code as a text file, and scanned images of the printed matter
   published with the 51/4 inch floppy disks it was distributed in.

   2. A video captured documentation of the emulated version in Quicktime format.

   3. The 1993 HyperCard version, ported by J. B. Hohm, along with the printed matter of that
   published edition.

   4. A JavaScript version of First Screening ported by Marko Niemi and Jim Andrews.

   Eric Dean Rasmussen - 12.06.2012 - 12:27

4. An Archival Approach to Curating Born-Digital and Electronic Literary Materials

   This panel session will explore the curation of electronic or born-digital materials in literary manuscript collections. Speakers will discuss how they applied (or tried to apply) traditional archival theories of appraisal, transfer, processing, preservation, and access to electronic records within their collections. The session will interest writers and artists, scholars, and curators and archivists specializing in electronic media and provide a unique chance for intellectual exchange between these groups.

   (Source: 2008 ELO Conference site)

   Scott Rettberg - 08.01.2013 - 12:10

5. Electronic Records at the National Archives

   Electronic Records at the National Archives

   Scott Rettberg - 12.01.2013 - 10:38

6. Creative Material Computing in a Laboratory Context

   Principles for organizing a laboratory with material computing resources are articulated. This laboratory, the Trope Tank, is a facility for teaching, research, and creative collaboration and offers hardware (in working condition and set up for use) from the 1970s, 1980s, and 1990s, including videogame systems, home computers, an arcade cabinet, and a workstation. Other resources include controllers, peripherals, manuals, books, and software on physical media. In reorganizing the space, we considered its primary purpose as a laboratory (rather than as a library or studio), organized materials by platform and intended use, and provided additional cues and textual information about the historical contexts of the available systems.

   (Source: A technical report from The Trope Tank Massachusetts Institute of Technology 77 Massachusetts Ave, 14N-233 Cambridge, MA 02139 USA http://trope-tank.mit.edu)

   Natalia Fedorova - 17.01.2013 - 18:42

7. E-lit context as Records Continuum: the “lost” Michael Joyce’s Afternoon Italian edition and the archival perspective

   Devoted to the study and retrieval of those artifacts of the past for which a disruption in the continuity of preservation occurred, archaeological sciences operate with – and against – historical and cultural fractures. Likewise, computer forensics provides assistance whenever a need to recover data in the event of a hardware or software failure occurs. The textual shifting from page to screen experienced in the past twenty years represented both a cultural fracture (a call for paradigmatic changes in preservation which archival sciences themselves were not prepared for) and an opportunity to test computer forensics practices on text-based digital artifacts (software and hardware failures being named, in this case, “obsolescence”). Our paper draws attention to the fact that both digital archaeology and computer forensics, however, no matter how useful in shaping the current preservation practices and methodologies adopted by scholarly communities operating in the digital field, cannot replace or do without the extensive scholarship developed in disciplines that have traditionally dealt with textual preservation in situations of cultural continuity.

   Audun Andreassen - 03.04.2013 - 16:07

8. Missed Collections: Away From the Canon, Toward the Archive

   This paper expands on some of the questions raised by my presentation at the 2009 Digital Arts and Culture conference, held last December at UC Irvine. While examining the work of Young-Hae Chang Heavy Industries (YHCHI), I asked what it might mean for a new media practitioner to intentionally disregard or shun many of the medium’s inherent capabilities. I was interested in the way in which YHCHI seemed to be protesting some of the assumptions or characteristics of the nascent canon of electronic literature, i.e. that works of new media are inherently multidirectional, adaptive, non-linear, etc.

   Audun Andreassen - 10.04.2013 - 12:47

9. Cibertextualidades 5

   The impact of hypertext and hypermedia on scholarly editing of our literary legacy, which is increasingly published in electronic formats, has fostered a conceptual shift from the archive as a classified hierarchical collection of texts to the archive as a decentred and reconfigurable network of texts. Another important set of questions concerns new methods for editing and organizing multimodal textualities resulting from combinations of materials and media (graphic, audio, video, digital). The convergent multimodality of digital textuality opens up a new editing and archival space for multimedia and intermedia forms of writing. In the current technological context, innovative and experimental literary forms become relevant, as many of the operations that the machine provides can be found in previous literary practices: from collages and automatic writing to narrative permutations and intermedia poetry. This issue of the journal addresses problems of representing, archiving, and publishing experimental literary forms in digital spaces.

   Patricia Tomaszek - 02.07.2013 - 16:56

10. Hostages of the Ephemeral: A Preservationist View of Electronic Literature

    Throughout history, stewards of cultural heritage collections have advocated for technologies of external memory based on their proven ability to endure into the future. Despite studies that demonstrate how zeros and ones inscribed on digital media often stand up well to the ravages of time, the long-term preservation of the content they encode—particularly in the field of electronic literature—has proven to be a challenge. This is because the accessibility of electronic literature depends as much on the preservation of bit-streams as on the long-term viability of specialized computing environments and their constituent hardware and software components, thereby placing works of electronic literature at considerably greater risk of disappearance than their analog predecessors. Although authors of electronic literature have cultivated a growing awareness of best practices in digital preservation, they still lack tools designed with the posterity of their creations in mind. This paper explores these issues, as well as the question of ephemerality for electronic literature, by assessing contemporary digital formats within the broader history of preservation technologies.

    Jill Walker Rettberg - 23.08.2013 - 10:33

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