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  1. Dovetailing Details Fly Apart — All Over, Again, in Code, in Poetry, in Chreods

    "Dovetailing Details Fly Apart - All Over, Again, In Code, In Poetry, In Chreods" by Strickland and Lawson Jaramillo carries the debate into the analysis of specific poems and poetic practices, both written and spoken, graphic and sonic, alphabetically and digitally coded. The essay also introduces a new reference for the debate - namely, the work of Gregory Bateson, who is cited not just as a supporting 'theory' or philosphical framework, but in the spirit of differential discourse that distinguishes Bateson's work.

    (Source: introduction at electronic book review)

    Scott Rettberg - 26.02.2011 - 22:59

  2. 51 Responses: What inspired you to get involved with Digital Literature

    51 Responses: What inspired you to get involved with Digital Literature

    Scott Rettberg - 22.03.2011 - 00:01

  3. Digital Poetry (English 3116)

    Digital Poetry (English 3116)

    Eric Dean Rasmussen - 07.02.2012 - 10:19

  4. Literary Programming (In the Age of Digital Transliteration)

    This paper is proposed as the second part of an essay, the first part of which was presented at DAC'98, having the overall title 'Performances of Writing in the Age of Digital Transliteration'. Part one of this essay raised questions -- contextualized by reference to Walter Benjamin and Friedrich Kittler, amongst others -- concerning the intrinsically digital characteristics of text, along with certain implications of these characteristics (and what they have entailed, specifically and especially: the Net) for traditional literary culture, for the latter's critique, and for textual, especially artistic textual practices.

    Scott Rettberg - 19.01.2013 - 01:23

  5. With Code in Hand: An Inventory & Prospectus for E-Poetics

    Poetry is a field of writing/programming that presently finds itself disorganized in its sense of relation to digital practice. This is uncharacteristic for a literary genre that has been at the forefront of innovation in the 20th century. What is instructive at this point is an inventory of innovative poetic practice in the digital media. This paper offers a catalog of poetic practice from hypertext through new media to programmable media. The inventory also considers the tropes & materiality of such practices before offering a prospectus for e-poetry in an attempt to demarcate a field of practice for the work of innovative poets in the digital media.

     

    Scott Rettberg - 19.01.2013 - 17:02

  6. Writing Without Type: Explorations in Developing a Digital Writing Practice

    As new ways of sharing stories emerge, how does this impact on our writing processes, the ways in which they are informed by previous practices, and the development of new possibilities? Technologies shape stories (Zipes, 2012, p. 21), yet as digital texts take on ever more varied forms – multimedia, sensor-driven, embedded in objects and located in landscapes – contemporary writing practices remain linked to the production of the printed book (Bolter, 1991, p. 5). This paper considers opportunities and challenges in shifting from using only chirographic and typographic tools in writing practice to utilising methods from the oral tradition and other practices.

    (Source: Abstract ICDMT 2016)

    Hannah Ackermans - 08.12.2016 - 14:39

  7. Digital Humanities in Practice (DIKULT 207, UiB, Fall 2018)

    Digital Humanities in Practice (DIKULT 207, UiB, Fall 2018)

    Scott Rettberg - 05.09.2018 - 15:10