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  1. UbuWeb

    UbuWeb

    Scott Rettberg - 13.04.2011 - 19:30

  2. CARNIVAL

    CARNIVAL

    Scott Rettberg - 12.02.2013 - 11:32

  3. OTTARAS: 3 CONCRETE - LONG RONG SONG, NAVN NOME NAME, kakaoase

    Projected on a grid of particles that at times seem ordered, while sometimes chaotic and always in flux, Ormstad's constructed language poetry is exposed and read by the author while performing to Mashtalir's pulsating music and Vojjov's atmospheric scapes in the first two works LONG RONG SONG and NAVN NOME NAME. The first is based on Ormstad's language research project from his second book of concrete poetry from 2004. Here he creates words that may exist or not in any language, and this is related to Vojjov's creation of numbers, geometric forms and abstract shapes. The second work is made from Ormstad's collection of poetic family names used in Oslo, Norway, also here accompanied by Vojjov's world of cosmic shapes. The last track, kakaoase, is based on a printed picture by Ormstad, made of sound poetry where he's playing with the Norwegian language. Most of the words have no – or almost no – meaning, and here Mashtalir's music makes this an exceptional possibility for participating and dancing to concrete poetry!

    Hannah Ackermans - 30.11.2015 - 10:21

  4. Zang Tumb Tumb

    Zang Tumb Tumb was Marinetti's first published collection of parole in libertà (words in liberty), a form of poetry at the same time verbal and visual. Begun in 1912 and published in 1914, the work is an account of Marinetti's experience of the Siege of Adrianople (now Edirne, Turkey) during the Balkan War of 1912, which he covered as a war correspondent. The title Zang Tumb Tumb evokes the sounds of mechanized war—artillery shelling, bombs, explosions.

    (Source: MoMA)

    Ana Castello - 13.10.2018 - 16:36