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1. Spawn

   Spawn is a mouse-responsive liquid poem that reduces its own language and content into chaos and symbols.

   Eric Dean Rasmussen - 11.02.2011 - 16:45

2. Euclid

   This VRML piece is a meditation on Euclidean geometry, matter, mortality, eternity and language in all of these contexts. It consists of two spaces, the first of which we experience as a movie that displays four stanzas, each of which expresses Euclidean elements: solid, plane, line, point. The next space is intriguing because it has the four words above, plus two more words, all surrounding a cube made of clusters of 2-3 letters. Navigate this space when the initial movie ends, seeing the different views, and you’ll get the point of what Knoebel is trying to express with this minimalist poem in a virtual environment.

   Note: To be able to read this work, you’ll need a VRML client (Recommendations: PC: Cortona 3D Viewer, Mac & Linux: OpenVRML). Be patient: you aren’t able to explore from the outset, only after you’ve seen the views. Right click on the window for a menu of options.

   Source: Leonardo Flores,  I ♥ E-Poetry.

   Leonardo Flores - 13.03.2012 - 12:30

3. Ghost City

   Ghost City is a website that focuses on the representation of the city by the mass media. It uses the space of the web as a sculptural space, allowing viewers to interact with animated graphics to delve deeper and deeper into an imaginary city.

   Ghost City is a labyrinthine environment through which viewers can navigate, either following the linear narrative that unfolds by moving from page to page, or they can delve into the non-linear chaos of random links. Each space is made up of appropriated images and texts. The images are culled from various print media sources. The texts are either found passages from urban theory or specifically written poetic musings on the city.

   Scott Rettberg - 20.10.2012 - 15:06

4. Moment

   This is a generative poem you can visit for years and continue to find things to surprise and delight. It is structured around a text— aptly named as “a strand” (as in a fiber or rope made of letters or characters)— which is shaped by “aspects,” which are programmed structures that shape and transform the strands through color, animation, scheduling, formatting, and other transformations possible in DHTML. Considering there are 10 “strands” (plus a “user-fed strand”) each of which can be shaped by 36 different “aspects,” each of which can have multiple controls and toggles, you don’t have to do the math to realize that this is a work of staggering generative possibilities. Combined with a few randomization and combinatorial touches, this is a work that will always welcome you with fresh moments, inviting you to play with its structures. (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 08.02.2013 - 19:24